by Jaynie Anderson •
It was the last day of the Giorgione exhibition in Vienna. The Kunsthistorisches Museum had organised a colloquium to coincide with it. Art historians – in this case the Giorgione brotherhood or amici in studi giorgioneschi. – had arrived for a final interrogation. Confrontations between individual work. of art, hanging adjacent to one another in the context of an exhibition, allowed for unique comparisons of some paintings by Giorgione, some attributed to him, some inspired by him. All were connected to the most enigmatic artist in the history of art.
From the New Issue
Commentary
‘Land rights interrupted?: How Whitlam’s dismissal changed the history of First Nations land repossession’
by Heidi Norman and Francis Markham
Gender
What Is Wrong with Men by Jessa Crispin & The Male Complaint by Simon James Copland
by Tom Ryan
Literary Lives
History
The Shortest History of Turkey: A candid examination by Benjamin C. Fortna
by Hans-Lukas Kieser
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