WHY DO YOU WRITE?
At first, I wrote because I could. It was like waking up one morning to find I could play the piano or speak Italian – the action itself was entrancing. Now that I've been at it for a while, I'm full-on addicted.
ARE YOU A VIVID DREAMER?
Nope. I could sleep for England. You could extend the M1 through my bedroom and I'd be none the wiser.
From the New Issue
Gender
What Is Wrong with Men by Jessa Crispin & The Male Complaint by Simon James Copland
by Tom Ryan
Commentary
‘Land rights interrupted?: How Whitlam’s dismissal changed the history of First Nations land repossession’
by Heidi Norman and Francis Markham
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