Tim Bonyhady is one of Australia’s leading environmental lawyers and cultural historians. He has previously traced connections between art and national mythologies in books such as Images in Opposition (1985) and The National Picture (2018). In his latest work, Two Afternoons in the Kabul Stadium, he turns his attention to Afghanistan, unpicking the fabric of contemporary Afghan society by following closely the warp and weft of its visual culture, from women’s fashion to war rugs to photography. In today’s episode, Morag Fraser reviews Bonyhady’s book, writing in the wake of the Taliban victory and immersing herself in the ‘intriguingly tangential and complex history’ woven by one of Australia’s most scrupulous and sensitive observers of culture. Morag Fraser, a previous chairperson of ABR, has been writing for the magazine since the 1990s.

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