The Australian Musical from the Beginning
Allen & Unwin, $79.99 hb, 432 pp
The Australian Musical from the Beginning by Peter Pinne and Peter Wyllie Johnston
What is the musical’s appeal? Performing arts venues in Australia’s capital cities stage them year after year; a lucrative box office seems to be virtually guaranteed. The feel-good mix of song, melodrama, and vibrant dance – not forgetting the bonus of a happy ending – can lift the spirits and entertain the entire family. Recently, Chicago (Melbourne, Brisbane), West Side Story, and Billy Elliot (Adelaide) secured packed houses.
Australian classics such as The Boy From Oz, Priscilla, Queen of the Desert, and Eddie Perfect’s Beetlejuice confirm the country’s stellar contribution to the art form, but the rise of the local musical and the triumphs and tribulations of those who championed the genre have gone undocumented until now.
Continue reading for only $2.50 per week. Subscribe and gain full access to Australian Book Review. Already a subscriber? Sign in. If you need assistance, feel free to contact us.
Leave a comment
If you are an ABR subscriber, you will need to sign in to post a comment.
If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.