Some of Australia’s most cogent historical analyses grow out of particular social moments: the close of World War II, the accession (and dismissal) of the Whitlam government, the bicentennial celebrations and protests of 1988. The High Court’s Mabo decision of June 1992 is just such a moment and it is no surprise to find another book which focuses on the aftermath of that landmark decision. Interestingly, In the Age of Mabo is also just as strongly the product of a certain time and political space: the 1991–96 prime ministership of Paul Keating. It is this framework which gives this varied collection of essays its sense of historical occasion; it is also this political underpinning which renders at least one of the contributions nearly obsolete.

This is not another ‘slim volume’ of poetry; no way would it fit in a coat pocket. Ten years in the writing, weighing in at 740 pages, it is a brick of a book – well-bound paperback, heavy covers, designed to last. The poet had full say over not only the content, but the design, typesetting and production, resulting in a book unlike any produced under the nervous economic dictates of mainstream publishers. Six turned this manuscript down. Unsurprised, p.O. published it himself.

These six poetry titles represent the third series of New Poets to be published by Five Islands Press. Each title runs to exactly thirty two pages – no more, no less. It is, in a sense, a mini-collection, or a semi-collection, midway between a reading and a book. The series as a whole is therefore like a showcase of new talent – you applaud some of the poems, and get impatient with others, much as you do with the poets themselves. This is a good thing – it presents poetry as the provisional affair it really is, most of the time, for poet and reader alike.

This provisional air should not be allowed to detract from the fact that there are real and sophisticated talents to be found in these series. The poets are ‘new’ only in the sense that they haven’t had a collection before: it’s not as if they all started writing last week. Peter Boyle’s Coming Home from the World, published in the second series, shared the NBC Banjo Award for poetry, and won the NSW Premier’s Literary Award. There are assured and experienced voices in this series too; and to give the idea of ‘new poets’ its due, there are also poems so full of energy and intensity, that they threaten to burst off the page.

Near the end of a candid 1966 documentary portrait of Pier Paolo Pasolini shot in 1966 (and shown last year on SBS), the French critic Jean-André Fieschi casually asks the Italian director whether art is for his a ‘matter of life and death’. Pasolini – who up to this point has been discoursing urbanely on class, culture, cinema and language like a true public intellectual – is floored by the question. ‘This changes the whole basis of our discussion,’ he declares, and goes on to confess that everything he has previously said is a mere mask hiding his actual, primal, angst-ridden feelings about life, death and survival. Unmasked as a trembling existentialist, Pasolini announces that the interview is over. And there Fieschi’s film abruptly ends.