When Bouvard and Pécuchet suddenly become enamoured of landscape design in Flaubert’s novel of 1881, and decide to remodel their own garden, they are bewildered by the ‘infinity of styles’ that are available to them. After much deliberation and research, they decide to install an Etruscan tomb with an inscription, a Rialto, a Chinese pagoda, a mount, and topiary in the shape of peacocks, stags, pyramids, and armchairs. Despite these ‘improvements’, however, when Bouvard and Pécuchet proudly unveil the garden for the first time at dinner, their guests fail to respond as they had hoped; that is, according to predetermined categories of response, which include the Melancholy or Romantic, the Exotic, the Pensive, the Mysterious, and the Fantastic.
Continue reading for only $10 per month.
Subscribe and gain full access to Australian Book Review.
Already a subscriber? Sign in.
If you need assistance, feel free to This email address is being protected from spambots. You need JavaScript enabled to view it..
If you are an ABR subscriber, you will need to sign in to post a comment.
If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.
Please note that all comments must be approved by ABR and comply with our Terms & Conditions.