Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%
Fiction

Below Deck by Sophie Hardcastle

by Astrid Edwards
April 2020, no. 420

Below Deck by Sophie Hardcastle

Allen & Unwin, $29.99 pb, 296 pp

ABR receives a commission on items purchased through this link. All ABR reviews are fully independent.

Below Deck is a stunning literary novel. This is a poetic work that can be read aloud just as easily as it can be read in silence. Sophie Hardcastle wrote Below Deck in 2018 when she was a Provost’s Scholar in English Literature at Worcester College at the University of Oxford. As she reveals in the acknowledgments, she read a draft aloud to her professor, an experience that no doubt consolidated the flow of her prose.

Oli, the protagonist, is a sailor and an artist. Her synaesthesia means that she hears sounds and feels emotions in colour. Hardcastle’s lyrical command of language enables the reader to experience Oli’s world in vivid colour too. Oli is a twenty-something woman whose world is damaged by men – her father, her boyfriend, the all-male crew. The sense of maleness is omnipresent in the novel – how they behave, what they assume, the way they judge others. Their presence leeches the very colour from Oli’s world. But Below Deck is more nuanced than simply pitting maleness against femaleness. There are compassionate men, including the irrepressible Mac and the everyman Hugo.

At its heart – and there is heart to this novel, indeed more than most – Below Deck explores what it is to be female. This is a work for anyone who has felt the sting of misogyny or the consequences of assault. Oli lives those experiences, questions them, crumbles under their weight, and rebuilds herself. All the while, Hardcastle’s lightness of touch means that none of this is didactic. Oli simply is.

The novel is replete with symbolism but can also be brutally frank at times. This is, after all, a work that opens with ‘at sea, no one can hear you scream’. Oli travels to the Southern Ocean, an experience that allows her to begin to recover. This healing is accompanied by a burst of creativity; she begins to see the world in colours she has never experienced before. (Hardcastle was an artist-in-residence in Antarctica in 2017, an experience that doubtless informed the novel.)

This is Hardcastle’s first novel, although she has previously published her memoir of mental illness, Running Like China (2015), and the Young Adult novel Breathing Under Water (2016).

 


Continue reading for only $10 per month.
Subscribe and gain full access to Australian Book Review.

Already a subscriber? .
If you need assistance, feel free to This email address is being protected from spambots. You need JavaScript enabled to view it..



Below Deck by Sophie Hardcastle

Allen & Unwin, $29.99 pb, 296 pp

ABR receives a commission on items purchased through this link. All ABR reviews are fully independent.


From the New Issue

51 Alterities: Poetry as vibe, not polemic by Keri Glastonbury

by David McCooey

Walking Sydney: Sydney, by its writers by Belinda Castles

by Phillipa McGuinness

Yilkari: Novel by symbiosis by Nicolas Rothwell and Alison Nampitjinpa Anderson

by Paul Daley

You May Also Like

The House at Hardie’s Corner by Helen H. Wilson & Landscape with Landscape by Gerald Murnane

by Ben Haneman

Confessing the Blues by Anson Cameron & Saigon Tea by Graham Reilly

by James Bradley

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.

Submit comment