There is a lot of work still to be done on the place of the yarn in our culture. Has its pre-eminence to do with the roving outback life, with traditions of taciturnity, with an inability to cope with the size of our land? Or has it more to do with the rapid urbanisation of this country and a need to celebrate and protect myths, an abiding sense of nostalgia? Or are there more pragmatic, economic reasons – the dearth of publishing houses, the lack of a landed gentry, the impossibility of survival as a full-time writer? Whatever the cause – and speculation is interesting – there can be little argument about the fact that the yarn has a central place in our literature, whether firmly embedded in a longer novel as in Such is Life and The Wort Papers, or staring at us from literary magazines or collections of short stories.