Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Drusilla Modjeska has written a book of essays on women writers, Exiles at Home, and the award-winning semi-autobiography Poppy. And now, with The Orchard, the essay meets the autobiographical and both come out very differently indeed. Drusilla Modjeska begins by patiently explaining why the question, is this fiction or non-fiction?, is relevant to her writing.

It has a relevance in one sense because it is a worry, since we live in a world which seems to have taxological problems. People like to be able to put things in one category or another. I seem at the moment to be writing in a way that sits on the line.

 


Continue reading for only $10 per month.
Subscribe and gain full access to Australian Book Review.

Already a subscriber? .
If you need assistance, feel free to This email address is being protected from spambots. You need JavaScript enabled to view it..




From the New Issue

51 Alterities: Poetry as vibe, not polemic by Keri Glastonbury

by David McCooey

Clever Men: Mountford’s expedition reappraised by Martin Thomas

by Ben Silverstein

The Odyssey: A mesmerising guide to Odysseus’s world by Homer, translated from ancient Greek by Daniel Mendelsohn

by Glyn Davis

You May Also Like

The Waugh Era by Greg Baum & 'One who will' by Jack Egan

by Gideon Haigh

The Studio

by Anthony Mullins

James: Mark Twain’s Jim reclaims his story by Percival Everett

by Heather Neilson

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.

Submit comment