Susan Varga’s latest novel, Headlong, is set in Australia in the opening years of the twenty-first century, with the Tampa episode and detention camps as background. This setting reflects Varga’s own work with refugees and the Nazi camps of her family’s Hungarian past. Headlong relates the downward spiral that the previously indomitable Julia undergoes after the death of her husband. Her two children – the narrator, Kati, and her brother – try everything to restore their mother to physical and mental health, but Julia is adamant: life is hell. The fact that she escaped the Holocaust with her daughter and survived the horror of those years makes the story all the more poignant and distinct from similar stories of grief. Why has this loss defeated her, when she has met every other challenge in life? Has it unlocked the hidden pain of earlier years? This question, and Kati’s ensuing grief and sense of guilt, sustain the novel.