Fertile Silences

Leo Tolstoy and Georgia Blain share an understanding: ‘Happy families are all alike, every unhappy family is unhappy in its own way.’ In each of her four novels, Blain has written about families in various states of unhappiness. Her first novel, Closed for Winter (1998), was the story of Elise, an ‘unobtrusive and unnoticeable’ twenty-eight-year-old, struggling to come to terms with the unresolved disappearance of her sister twenty years earlier, hindered by her pompous partner and her deranged mother. Candelo (1999) was the tale of the more outgoing, but no less unhappy, Ursula, whose story is heavy with the connections between a recent suicide, memories of her dead sister and the ongoing depression of her brother. The Blind Eye (2001) was narrated by Daniel, a morose healer, who is haunted by the consequences of his own deceptions and the memory of a tortured patient from a wealthy, detached family. And Blain’s new novel, Names for Nothingness, is the story of Sharn, Liam and Caitlin, an unhappy family battling with issues that are both everyday and overwhelming.