Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%
Skip to main content
Absolutely Revolting
Letters

Electricity

Dear Editor,

Brian McFarlane’s review of Michael Blakemore’s memoir of his years at the National Theatre (February 2014) reminded me of my own experience of Laurence Olivier’s performance in Long Day’s Journey into Night in 1971.

 


Continue reading for only $10 per month.
Subscribe and gain full access to Australian Book Review.

Already a subscriber? .
If you need assistance, feel free to This email address is being protected from spambots. You need JavaScript enabled to view it..

Leave a comment

From the New Issue

Fierceland
Fiction

Fierceland: A haunted second novel by Omar Musa

by Shannon Burns
On Display: The story of Artbank, Australia’s most visible collection
Art

On Display: A story worth telling by Laura Couttie

by Julie Ewington
Empire of AI: Inside the reckless race for total domination
Artificial Intelligence

‘AI will kill us/save us: Hype and harm in the new economic order’

by Judith Bishop
1945: The Reckoning: War, empire and the struggle for a new world
History

1945: The Reckoning: A complex history taken with absolutes by Phil Craig

by Seumas Spark

You May Also Like

ABR Logo - default image
Young Adult Fiction

Anna Ryan-Punch reviews 'Six' by Karen Tayleur

Ian Donaldson reviews Shakespeare Beyond Doubt: Evidence, argument, controversy by Paul Edmondson and Stanley Wells
Literary Studies

Shakespeare Beyond Doubt edited by Paul Edmondson and Stanley Wells

by Ian Donaldson
Eugene Onegin (Co-Opera) and Orpheus Underground (Various People Inc)
Opera

Eugene Onegin (Co-Opera) ★★★1/2 and Orpheus Underground (Various People Inc.) ★★★★★

by Gillian Dooley
The Shortest History of Music
Music

The Shortest History of Music: A new view of the sounded art by Andrew Ford

by Malcolm Gillies

Leave a comment

If you are an ABR subscriber, you will need to sign in to post a comment.

If you have forgotten your sign in details, or if you receive an error message when trying to submit your comment, please email your comment (and the name of the article to which it relates) to ABR Comments. We will review your comment and, subject to approval, we will post it under your name.

Please note that all comments must be approved by ABR and comply with our Terms & Conditions.

Submit comment