One should approach a new film with an open mind, but it’s very hard to do so when it has been preceded by the sort of hype that has accompanied The Great Gatsby. And it’s not just the hype but the other threats to the open mind which include the famous source novel (one that people know about even if they haven’t read it), the previous film versions, and the reputation of the new film’s director.
From the New Issue
Commentary
Letters
A Life in Letters: A new light on Simone Weil by Robert Chevanier and André A. Devaux, translated from French by Nicholas Elliott
by Scott Stephens
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Memoir
The Garden Against Time: Melding memoir and cultural criticism by Olivia Laing
by Kate McFadyen
Fiction
Deceit: A new translation of a modernist work by Yuri Felsen, translated by Bryan Karetnyk
by Kate Crowcroft
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