by Andrew Fuhrmann •
Stephen Sewell’s sixth play, Hate, first performed in 1988 and written with a bicentennial commission, is a monster of ambition. It is a play that seems to swallow whole the Australian story since 1788 and represent a family tragedy, one steeped in the ritual violence of an Ancient Greek myth or a perverted Easter drama.
From the New Issue
Letters
A Life in Letters: A new light on Simone Weil by Robert Chevanier and André A. Devaux, translated from French by Nicholas Elliott
by Scott Stephens
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