Dan Disney’s début collection, and then when the, is a slim volume infused with irreverent outings in philosophy and place. Just as the opening poem places its speaker in a philosophy class, philosophers offer constant points of reference. Disney reformulates such well-worn dicta as Descartes’s cogito ergo sum with verve, as in the poem ‘Towards a unifying theory of non-coincidence’, in which he writes, ‘the dead / (who tick not) / murmured “we do not think; therefore we are not”’.