In contemporary crime fiction, first-person narrators can often sound irritatingly implausible, either too much the Marlovian stoic or too much the Holmesian savant. This is not the case with The Fix, Nick Earls’s latest offering, in which the narratorial voice is convincing from the first page. Then again, The Fix is hardly a conventional work of crime fiction; it has some ingredients of the genre (a death, a cover-up, a bit of gunplay), but also a good deal of comedy and single-guy angst. Even more surprisingly, the reliable narrator doing the detective work is not some gumshoe or forensics-lab genius, but – of all things – a lifestyle blogger and part-time spin doctor.