Jill Jones
Hear the way these poets use moonlight. According to a delicious detail in Jill Jones’s thirteenth full-length collection, Wild Curious Air (Recent Work Press, $19.95, 76 pp), ‘The moon’s light takes just over a second to reach our faces.’ In the context of meaning, note the length of the sound in the word ‘faces’. Jones affectingly contrasts this second with the light that left a star, centuries ago: ‘Always a past touches us, as this hot January forgets us.’
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To celebrate the best books of 2017 Australian Book Review invited nearly forty contributors to nominate their favourite titles. Contributors include Michelle de Kretser, Susan Wyndham, James Ley, Geordie Williamson, Jane Sullivan, Tom Griffiths, Mark Edele, and Brenda Niall.
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Miracles are not like tempests.
Furlongs are not like hedgerows
though they come close ...
Poetry is, usually, shorter, and, in many but not all cases, the lines turn. I've become less attached to prose, especially prose that pretends to 'the poetic'. I'd rather read a book that's prosaic, in the true sense, than a 'poetic' novel. Some prose is poetry, of course, but not because it's poetic. I won't even start on hybrid works.
... (read more)States of Poetry 2016 SA Podcast | 'Memory Lapses and Clues, or Don't Forget to Remember' and 'Bent' by Jill Jones
In this episode of Australian Book Review's States of Poetry podcast, Jill Jones reads two poems, 'Memory Lapses and Clues, or Don't Forget to Remember' and 'Bent', which both feature in the 2016 South Australian anthology.
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