Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Tony Birch

A year before his death in 2015 following a cancer diagnosis, the writer–playwright Henning Mankell responded to a question about his love of the crime genre. He stated that his objective was ‘to use the mirror of crime to look at contradictions in society’. Mankell’s mirror was evident in his Kurt Wallander series (1991–2009), in which the detective was faced with contradictions not only in the landscape of crime and murder but also in his own domestic life. Great crime fiction does not need to focus a lens on the overlapping worlds of the private and the public. But well written, the genre’s interconnected spheres address the moral complexities that drove Mankell’s passion for crime fiction.

... (read more)

‘And what is wrong with sad stories? The world is always sad.’ So advises Little Red, the aged, marginalised, knowing female character in the title story of Tony Birch’s latest short fiction collection. As in Birch’s previous works, Dark as Last Night contains an abundance of sad stories, but with grief and trauma ameliorated by the main protagonist’s affection for at least one other character, be it a family member or neighbour.

... (read more)

There are at least two types of ‘snowdroppers’ in the world. I grew up around economic snowdroppers, working-class women who stole laundry from clothing lines in more affluent suburbs and sold the contraband, mostly linen and women’s clothing, to pawnshops across inner Melbourne. The snowdropper introduced early in Garry Disher’s new crime novel, Consolation, is of another variety. He steals underwear, women’s underwear specifically, then trophies the garments home and enjoys their company. The thief is pursued by Constable Paul Hirschhausen, the local cop in the town of Tiverton, whom we know from Disher’s previous novels in this series, Bitter Wash Road (2013) and Peace (2019).

... (read more)

If the number of reviews and interviews are indicators of a new book’s impact, Tony Birch’s novel The White Girl has landed like a B-format sized asteroid. Birch’s publisher estimates a substantial number of reviews and other features since publication. I’ve consulted none of them ...

... (read more)

To complement our 2017 ‘Books of the Year’, we invited several senior publishers to nominate their favourite books – all published by other companies.

... (read more)

The characters who populate Tony Birch’s Common People are striking not so much because they are the ordinary people, the commonplace or everyday people that the title would suggest – they are, mostly, people living in or with extremity and trauma – but because the thing that unites them in these stories are discoveries of small moments of common huma ...

A new poetry press in Australia should always be greeted with joy, and then interrogated with rigour. These six volumes from the recently created book arm of Cordite Poetry ...

... (read more)

With Ghost River, Tony Birch returns to a world he has delineated over many short stories and in his first novel, the Miles Franklin-shortlisted Blood (2011): the world of adolescents living on the margins. Invariably in trouble and in unstable family envi ...

Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines

... (read more)

Thomas Keneally’s novel The Chant of Jimmie Blacksmith (1972) is based in part on historical events, particularly the crimes committed by Jimmy Governor, an Aboriginal man from New South Wales. In 1900, Governor was a key figure involved in the killing of nine Europeans, including five women and children. The killings followed Governor’s marriage t ...

Page 1 of 2