Felicity Plunkett
State Editor's Introduction by Felicity Plunkett | States of Poetry Queensland - Series Two
In his luminous paean to poetry, modestly titled How to Read a Poem, Edward Hirsch writes that ‘poetry is made of metaphor’. This lucid statement is beautiful enough, but as a poet, Hirsch continues, making music, elaborating, forever taking the idea onwards, upwards and outwards, with poetry’s relentless energy: ‘It is a collision,’ he writes, ...
Some of Australia’s best writers are also reviewers. I always enjoy the beautifully crafted and perceptive work of Drusilla Modjeska, Mireille Juchau, James Bradley, Lisa Gorton, and Kerryn Goldsworthy, to name just a few. Anwen Crawford is wonderful on music, Kate Kellaway and a.j. carruthers on poetry.
... (read more)Originally published in German, Albrecht Dümling’s The Vanished Musicians: Jewish refugees in Australia (Peter Lang), a fascinating compendium of Jewish musicians who found refuge in Australia in the 1930s and 1940s, is now available in Australian Diana K. Weekes’s excellent translation ...
... (read more)by the river evokes the textures of a small Australian town in 1962 through lean episodic poems that drift along gently until moments of intensity break their banks. Through a leisurely accumulation of detail – houses on stilts, fruit bats, ...
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State Editor's Introduction by Felicity Plunkett | States of Poetry Queensland - Series One
Prismatic and dynamic, Australian Book Review's States of Poetry anthologies are about refraction as well as brilliance, shade and trace as much as what is lit. If anthologies generate disagreement, it is because of an illusion that they set or express the fixed amidst a mobile and vibrant set of practices. The recurring, multifarious nature of States of Po ...
Jennifer Maiden's The Fox Petition: New Poems (Giramondo) conjures foxes 'whose eyes were ghosts with pity' and foxes of language that transform the world's headlines
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