We are thrilled to find evidence of roos returning –after being driven out of the reserve and slaughteredby hunters, the survivors are finding refuge at Jam Tree Gully.The vestiges of the old mob. And maybe new mob driventhis way by hunters down on Victoria Plains. In the long grassthey hide. They make tracks and graze and flattenareas for rest. They are maintaining out of sight.
I walk with Ti ... (read more)
John Kinsella
John Kinsella is the author of over forty books. His most recent publications include the novel Lucida Intervalla (UWA Publishing 2018), Open Door (UWA Publishing, 2018); On the Outskirts (UQP, 2017), and Drowning in Wheat: Selected poems (Picador, 2016). His poetry collections have won a variety of awards, including the Prime Minister's Literary Award for Poetry and the Christopher Brennan Award for Poetry. His volumes of stories include In the Shade of the Shady Tree (Ohio University Press, 2012), Crow’s Breath (Transit Lounge, 2015), and Old Growth (Transit Lounge, 2017). His volumes of criticism include Activist Poetics: Anarchy in the Avon Valley (Liverpool University Press, 2010) and Polysituatedness (Manchester University Press, 2017). He is a Fellow of Churchill College, Cambridge University, and Professor of Literature and Environment at Curtin University. With Tracy Ryan he is the co-editor of The Fremantle Press Anthology of The Western Australian Poetry (2017). He lives with his family in the Western Australian wheatbelt.
It rained heavy, ridiculously heavy, when the heatwas at its peak, and then it went dry – the ebb & flowof the surface-water, the water soaked deep. It’sthin-on now, even vanished. A dry creeping towardslonger cold nights. The tank is down to 20 000 litres,or thereabouts. And no clean air for weeks, as farmershave burnt their tinderish stubble to ash, so volatilethe flames have mostly esca ... (read more)
for Lorraine and Tony
Not an expression of wealth but one of quiet desperation,the heat and dry eviscerating hope – a giant shadehouseof green cloth, and an above-ground keyholeswimming pool, with avocadoes and ferns edgingthe cement slabs, aura in the midday twilight.
And the red dust, too fine to shut out, decoratingthe aqua-emerald waters, a wound open from an attackof the inland leviathan, ... (read more)
A horizontal twister, but none of the dramatic lifeand drop of hellraiser rides. Sedate, but vertiginousenough to rearrange conceptions, open perceptionsto a very different York – those eucalypt canopiesa blur of recognition shifting the boundaries
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This is one of the more vital and significant poetry anthologies to appear in Australia. It has been compiled with a purpose as sophisticated and complex as the arguments for existence that it posits. It is an anthology not so much of ‘region’ (it is a rather massive one), as of the experience of being or having been from Asian heritages in contemporary Australia.
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Penillion of Tuning the Harpsichord (for J. Mattheson’s Harpsichord Suite no. 12 in F Minor as tuned and played by Dan Tidhar at the Fitzwilliam)
John Kinsella
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