A teenager’s arduous journey from a Taliban-occupied Afghanistan in 1989 to the safe haven of Denmark is given a uniquely painterly treatment in Flee. Far from diminishing the story’s impact, this animated documentary is all the more profound for the insidious way the visuals undermine our defences.
Danish filmmaker Jonas Poher Rasmussen became friends with Amin soon after the Afghan refugee ... (read more)
Richard Leathem
Richard Leathem is the producer and presenter of Film Scores on 3MBS FM. He has been the State Manager of the Australian Film Television and Radio School in Melbourne and Manager of the Australian Centre for the Moving Image Lending Library. He is a member of the Australian Film Critics Association.
Truffle hunters and the pigs they bond with might be unlikely subjects for a film, yet in 2021 cinema goers have been treated to two films centring on such characters. Earlier this year, the documentary The Truffle Hunters (2020) offered a whimsical tribute to the humble foragers of northern Italy. Now Michael Sarnoski’s Pig presents a darker but no less playful portrayal of a fictionalised hunt ... (read more)
Percy vs Goliath, known simply as Percy in some territories, is based on a real-life legal case of an independent crop farmer who took on a large-scale agrochemical corporation. One can imagine a shared sentiment that the story would make a great Hollywood movie. Problematically, the reason for thinking this is because Hollywood has made this film before, repeatedly. The familiarity and predictabi ... (read more)
Supernova marks the second film released in cinemas this month to deal with dementia, following The Father (2020). While Florian Zeller’s film, based on his own stage play, employs inventive devices to place the audience inside the mind of a character afflicted with the condition, Supernova’s more traditional approach is in service of achieving maximum emotional impact.
The afflicted cha ... (read more)
The immigrant experience in America has been told on film many times, but Lee Isaac Chung’s tangibly personal Minari is as distinguished by its eschewal of the familiar as by the disarming intimacy evoked.
Set in the 1980s in Arkansas, Chung’s semi-autobiographical tale concerns a Korean family’s attempts to adapt to rural American life. It’s clear from the opening scene that Jacob ( ... (read more)
Admirers of Oliver Sacks (1933–2015) may think a documentary on the famed British neurologist and author is superfluous given the number of books published on him in recent years. Lawrence Welschler’s memoir And How Are You, Dr Sacks? (2019) is impressively comprehensive. Sacks’ own partner, Bill Hayes, provided more insight with Insomniac City (2017), and Sacks himself produced two memoirs, ... (read more)
As Victoria emerges from its long lockdown, cinemas, among the last businesses to reopen under the roadmap to recovery, are finally open to the public again. But how will they operate in a Covid-normal world? Have we learnt to live without them?
Right now there is a sudden glut of new content hitting the big screens. While people in other states have had the pleasure of going to the cinema for mo ... (read more)
Pedro Almodóvar has often infused his work with a certain amount of autofiction. In his début, Pepi, Luci, Bom (1980), the Spanish auteur presented us with the burgeoning La Movida Madrileña, the cultural explosion that emerged in Madrid following General Franco’s death in 1975. This was the world in which he lived, and by offering us a glimpse inside, he set the tone for his career. His ... (read more)
There’s an element of metafiction about Late Night that makes the main character, Katherine Newbury (Emma Thompson), much more sympathetic than she ought to be. In an early scene, the successful late-night television chat show host states that she’s not part of the mainstream. She doesn’t watch superhero movies and she isn’t on Twitter or other forms of social media. Although there’s an ... (read more)
Japanese author Haruki Murakami may be one of the most revered authors alive, but his work is seldom adapted for the screen, perhaps because the internalised nature of his narratives doesn’t leap out as being easily translated to film. Until now, only Norwegian Wood (2010), an atypical Murakami novel, has seen wide exposure. The only other works to be adapted are his first novel, Hear the Wind S ... (read more)