Poems
How will they remember us, the dead?
As a cause – a just cause – or simply an end?
Grennan sucks in air along his gums and yells
again to Davey who is filling the trough
of the gunwhale with scrabbling crabs. Far off
lightning slips down the sky like a forkful ...
Here is the ideal place for the attempt,
Here where the Christmas sales dispose
Their day-late offerings
(From which, it seems, scarcely a soul’s exempt):
Whitegoods and videos,
The manchester, the saucepans and CDs,
The swimwear, lingerie that sings
The body and its moistening promises. ... (read more)
He sang of old coins buried beneath the dunes,
to the north of the island, near the old artillery battery.
For forty years he rowed for mullet north, and south,
where the war epic motion picture was shot recently.
To the north of the island, near the old artillery battery
we played hide and seek as kids in acres of bladey-grass.
Where the war epic motion picture was shot recently
no one was allowed within a thousand metres.
Then, there were spires in every landscape
Tall, tapering fingers pressed together,
The supplications of early sainthood –
Those that the early painters made
To teach the unlettered, while the spires
Called them to listen and to pray.
A Tasmanian Paradise Lost by Graeme Hetherington & Other Gravities by Kevin Gillam
In the first part of his new collection, Graeme Hetherington returns to the cultural territory he presented, differently registered, in In the Shadow of Van Diemen’s Land (1999). This is the west coast of Tasmania, reconstructed this time, in ‘West Coast Garden of Eden’, as the provocative place of his childhood, an Eden after the Fall in which innocence has long before succumbed to temptation. The twenty-seven parts of ‘For Boyd’ present Boyd as the narrator’s schoolmate, a son of working-class parents who has Paul Newman looks, a careless disregard for all forms of authority, an impressive and precocious sexual appetite, and a rebel’s capacity for mischief.
... (read more)Like M.T.C. Cronin’s earlier collections, beautiful, unfinished is characterised by a mixture of mystical awe and formal restraint. The collection is subtitled PARABLE/SONG/CANTO/POEM’. As this suggests, it consists of a parable of sorts in verse, a sequence of songs, a set of cantos ‘minus melody’, and some poems. But in Cronin’s hands, these various forms seem based upon haiku. She writes sparely in short-lined stanzas, and she undercuts her own rhythms until it seems as if almost every poem might end in an ellipsis.
... (read more)A day spent scratching civilisation’s sores –
Amnesty calls for Urgent Action;
a ministerial mouth, mean as a steel trap
closes another deluded seeker of asylum
behind barbed wire; civil liberties
are spooked by terror; girl children
trafficked to sexual servitude –
and I’m spent too. Not even that trusty spur,
the great-grandmother of my children
dead in another camp, another winter, another story,
can prick this chilled indifference to bleed –
although my mind’s rubbed raw, my heart
is dry as yesterday’s crusts.
... (read more)By the filling station on La Cienega a burger joint
somehow survives. This Sunday morning
a pink Thunderbird sags at the kerb,
and an old Studebaker, paint flaking.
... (read more)for Susan
Between non capisco and dimentico
we learn to speak a little: our history
always taking place in the present tense.
Between mistranslations
you’re still not sure he meant it.
‘I mean it,’
he said. ‘I want to work in Canada.
I have a nice face – why won’t you marry me?’