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Affirm Press

Much has been said about our tendency to feel bad about our bodies, but not quite in the way Mel Campbell goes about it. The fit of clothes is a more interesting, if more elusive, cultural story than the predictable outrage over fashion’s ever slimmer bodies or recent storms about ‘plus size’ models. Out of Shape addresses these controversies but also goes to the frontline of fashion and fit: malls, big-brand manufacturers, and their fraught strategies for streamlining a comprehensible – and marketable – logic between clothing size and the heterogeneous human body. Though it is her first full-length work, the book explores a question that Campbell has been pondering in blogs, journalism, and reviews for years: why can finding clothes that fit well feel so torturous?

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A Flower Between the Cracks, South Australian writer Helen Sage’s first book, chronicles her experience of caring for a disabled child over a period of several years. Sage’s busy but comfortable life was changed irrevocably when her daughter, Jayne, was involved in a horrific car accident. Prior to this, Jayne had been a psychology honours student who loved ‘rock, blues, playing the piano’ and was ‘a real nature buff’. Jayne survived her accident, but emerged with an acquired brain injury. 

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Memoir, it seems, is proliferating ever more furiously in Australia, filling bookshelves and review pages like bacteria in still water. We are insatiable in our appetite to read and write memoir, to feel the ‘real’. As a memoirist myself, I am all too aware of my hypocrisy in feeling uneasy about this rage for introspection. But memoir is most successful when it portrays an extraordinary individual; or gives witness to an important experience (accounts of Holocaust survivors, say); or when the personal resonates with the universal, and one person’s experience becomes a prism for that of many. A memoir that hesitates to claim such reader-oriented ratifications risks being a tedious assembly of anecdotes, a public catharsis, or mere narcissism.

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Any attempt to write a novel that covers three generations, two centuries, and two continents is undeniably ambitious. Include subject matter that ranges from Jewishness and gemstones to the occult, and set the story in a vibrant and sometimes turbulent time in the history of Melbourne and Victoria, from the 1850s gold rushes to the early 1900s, and the possibilities are exciting. Whether A ...

Rock music does not usually accommodate the likes of Dave Graney. Few Australian performers have been as resilient, and few have presented as many ideas in song form. While his contemporaries – Nick Cave, Tex Perkins, Robert Forster, and the late Grant McLennan – have not strayed far from blueprints forged during the late 1970s, Graney’s music and writing have undergone striking reinvention over thirty years. Equally, few of Graney’s generation have met with such indifference from the Australian public, except for a year or so in the mid-1990s, when, ‘for a brief moment’, in Graney’s words, ‘too many people listened, as opposed to too few … walking in on a line I’d been stringing out for quite a while’.

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Under Stones, a collection of short stories and one poem by first-time author Bob Franklin, reads like a study in subterfuge: a teenage outcast wreaks cyber vengeance on her local Tidy Town group; a man’s online porn addiction is turned against him by a mysterious workmate; a seasoned duck hunter finds that the target has shifted without his knowledge. Yet scratch the surface and you will find that the deception runs deeper than that; the darkly humorous scenarios hint at society’s moral decay. In ‘Soldier On’, a man’s homecoming visit to England to see his retired parents turns from farcical to forlorn, as his infuriation over their addiction to soap operas gives way to a disquieting realisation about the widespread misery of the elderly.

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