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Climate Fiction

Ned Beauman’s latest novel – his first since Madness Is Better Than Defeat (2017) – marks something of a stylistic departure for the British writer. Where Beauman’s work has for the most part experimented with history and genre, Venomous Lumpsucker is set squarely in our collapsing planetary future. 

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Just when you thought there wasn’t enough to worry about, along come bottom trawlers. While the fishing technique of dragging a heavy net along the bottom of the seabed is     nothing new – indeed, there was a British commission inquiry into the practice as far back as 1866 – the sheer size of modern super trawlers maximises their destructiveness. Centuries-old sea coral forests are bulldozed by the thirty-tonne nets, non-targeted fish and turtles become indiscriminately tangled in the web, and the disturbed sediment releases more carbon than the entire aviation industry each year.

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In his monograph The Great Derangement (2016), Indian writer Amitav Ghosh pointedly asks why society, and more specifically literature, has almost entirely ignored climate change: ‘ours was a time when most forms of … literature were drawn into the modes of concealment that prevented people from recognising the realities of their plight’. This was, Ghosh concludes, because ‘serious prose fiction’ had become overwhelmingly committed to versions of literary realism that rely on notions of quotidian probability. The irony of the realist novel, then, is that ‘the very gestures with which it conjures up reality are actually a concealment of the real’.

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Clade by James Bradley

by
March 2015, no. 369

Set in an unsettlingly convincing near future, James Bradley’s fourth novel, Clade, opens with climate scientist Adam Leith walking along an Antarctic coastline reflecting on the state of the world and on his relationship with his partner, Ellie. After six years together, their relationship is under pressure as Ellie undergoes fertility treatment. Adam is ambivalent about bringing a child into a world that he has recently conceded to himself is ‘on a collision course with disaster’, while Ellie is fiercely determined to do so. Now, as the ground both literally and metaphorically shifts beneath Adam’s feet, he waits for Ellie to call him with the results of her latest round of treatment.

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