Simon & Schuster

Kate Mildenhall’s confronting new novel, The Mother Fault, is set in an alarming near-future Australia. Climate change has left refugees ‘marking trails like new currents on the maps as they swarm to higher, cooler ground’. Sea levels have risen, species have died out, farmlands have been contaminated, and meat is a luxury. Unprecedented bushfires occur regularly; technology and surveillance are ubiquitous, with bulbous cameras hanging ‘like oddly uniform fruit bats from the streetlights’. The media is controlled, and Australian citizens are microchipped and monitored by a totalitarian government known as ‘the Department’. The ‘Dob in Disunity’ app offers ‘gamified’ rewards to informants (‘Even kids could join in the fun!’), while troublemakers can be relocated to ‘BestLife’ housing estates where the reality is far from the Instagram hashtag. Reflecting on the events that led to this, protagonist Mim notes that the world ‘shifted slowly, then so fast, while they watched but didn’t see. They weren’t stupid. Or even oppressed in the beginning.’

Last spring, as the harbingers of a dangerous season converged into a chorus of forewarning, I decided it might be a good idea to keep a diary of the period now known as ‘Black Summer’. The diary starts in September with landscapes burning in southern Queensland and Brazil. Three hundred thousand people rally across Australia, calling for action on climate change. I attend a forum of emergency managers where, during a discussion about warning systems, a senior fire manager declares: ‘We need to tell the public we cannot help them in the ways they expect, but we’re never going to tell them.’ Next week, Greg Mullins, the former NSW fire and rescue commissioner, comments on ABC radio, ‘We’re going to have fires that I can’t comprehend.’ Federal politicians assure the nation that we are resilient.

Describe the twelve most influential thinkers who shaped Western political traditions. Chaos must ensue. Your list will be outrageous, but mine also. Consider whom you leave off the roll-call. Just one woman. No one from Africa or Asia. Only Jesus to represent millennia of Jewish thought ... 

Fear: Trump in the White House by Bob Woodward opens with an astonishing incident. In September 2017, Gary Cohn, President Trump’s top economic adviser, removed a letter from the president’s desk. The letter purported to terminate America’s free trade agreement with South Korea ...

‘He was a great bloke, a gentleman and a scholar,’ one of Scott Bevan’s interviewees says of his subject, the fêted and (at one stage) ill-fated painter, William Dobell. Like many others in the book, this interviewee got to know Dobell at Wangi Wangi, the little coastal township just south of Newcastle in New South Wales where the painter retreated for the last third of his life, following the unsuccessful but nonetheless wearing legal case mounted against him when he was awarded the Archibald Prize for portraiture in 1943. (The plaintiffs had sought to claim that the prize-winning work was a caricature.)

It takes a village to run the world, and Hillary knows how to do it. These are the main lessons from Hillary Clinton’s new memoir, Hard Choices. The book traces the finality of her presidential campaign bid in 2008 and her four years as secretary of state. Her analysis of this period provides insights into ...