La Trobe University Press

Across the Anglosphere, academic freedom is in crisis. That, at least, is the conclusion one draws from reading conservative newspapers and listening to right-wing politicians. Boris Johnson’s government, concerned about ‘unacceptable silencing and censoring on campuses’, recently announced plans to appoint a ‘free speech champion’ for British universities. In 2019, Donald Trump signed an executive order to protect free speech on campus, describing it as a ‘historic action to defend American students and American values that have been under siege’. In February 2021, the Australian government amended higher education legislation to redefine academic freedom, amid shrill calls from the Institute of Public Affairs (IPA) about the ‘free speech crisis at Australia’s universities’.

Disaster movies tend to follow a similar arc. Our band of heroes not only has to survive flames engulfing the skyscraper or sea water flooding the cruise liner, but must also triumph over the calculated selfishness of others who are also scrambling for salvation. The implication is that, with few exceptions, Thomas Hobbes was right. Amid the upheaval of the English Civil War, Hobbes declared that our natural human condition is a war of all against all, and that order can only be secured by a powerful ruler, a Leviathan, that keeps our naked urges in check. The social contract of considerate behaviour and thoughtfulness towards others is a thin veneer. Under pressure it peels away, and we are soon at one another’s throats in a life that is solitary, poor, nasty, brutish, and short.

In 1973, aged six, I heard the song ‘Rock On’ by David Essex. I was obsessed by its sound. While I couldn’t have put it into words, I half understood that the song was made sonically exciting not just through its inventive arrangement (a song about rock and roll with no guitars!) but also its production techniques, especially the use of reverb and delay to ‘stage’ the vocal and instrumental performances.

A young George Seddon smiles boyishly from the cover of his Selected Writings, a mid-twentieth-century nerd with short back and sides and horn-rimmed glasses. This collection of Seddon’s writings on landscape, place, and the environment is the third in the series on Australian thinkers published by La Trobe University Press in conjunction with Black Inc. The other two, Hugh Stretton and Donald Horne, were also on mid-century men.

Barely a decade ago, Australia was in the middle of much excitement about the Asian Century. Today, those heady days seem a distant memory. A growing number of pundits see the north as troubled by dangerous flashpoints and great power rivalries. On top of that is an America apparently in strategic retreat from the region ...

In the last four decades, a shift has occurred away from the post-World War II consensus around the role of the state. Conservative parties dominated by neo-liberal agendas have surged, assisted by the abandonment of progressive politics by centre-left parties such as Labour in the United Kingdom, the Democrats in the United States ...

The danger is complacency. Brendan Taylor cautions readers of this timely assessment of the swirling currents of power in Asia – and currents is the right metaphor, given the heavy focus on disputes at sea – not to simply have faith that everything will turn out okay. ‘The risk of major war in Asia is ...