UNSW Press

Back from the Brink is the second volume of a projected four-volume series that investigates the performance of the four Howard governments (1996–2007). The first dealt with the Liberal– National Party coalition’s election in 1996 and their first year in power. The work under review focuses on the period from ...

State governors hold a curious role across Australia, one that will be called into question when – one of these fine days, but none too soon – our nation becomes a republic. There will be lots of fine-tuning to be done before that, from the roles of Her Majesty’s representatives here all the way down to Royal Park, Royal Melbourne Golf Club, and the RACV. But this book is the biography of a state governor, one who was also an influential minister of religion, among other things. Above all, he was Master of Ormond College, at Melbourne University.

In 1988 the Hawke government put a constitutional amendment to a referendum. On the recommendation of the government’s Constitution Commission, we were invited to vote to enshrine guarantees of trial by jury, property rights, and freedom of religion. The proposition was rejected by all states. There is nothing surprising in that. We almost always do vote against constitutional amendment because the politicians of the right have always succeeded in persuading us that the original document (a free trade agreement between the federating colonies) is perfect and, in any case, any proposal for change is a left-wing plot to deprive her majesty’s loyal subjects of their common law freedoms.

Gwen Good’s migration to Perth in 1963 turned out well. She loved Australia, the climate that turned life into one long summer holiday, and the house that she and her family soon acquired. She was an active member of her church, and a contented wife and mother who revelled in her children. By the 1980s she was ready to give away the bundle of reel-to-reel tapes on which, decades before, the family had conveyed its early impressions of Perth in audio letters to be sent home to England. The letters had come back to her when, in turn, her parents migrated to join the Goods in Perth. They held a past that had blended so seamlessly into the present that it no longer seemed particularly interesting.

Jamie Mackie’s recent death was a sad reminder of a time when enthusiasm for Asian studies mirrored the Australian government’s developing perception that the future lay in ‘our’ part of the world. The small cohort of academics who initiated these studies were genuine pioneers. For instance, Mackie, in the decades after 1958, became founding Head of Indonesian Studies at Melbourne University, founding Research Director of South-East Asian Studies at Monash University, and founding Professor of Political and Social Change in the Pacific and Asia at the Australian National University. Prior to World War II, there had been virtually no Asian studies in Australia. Now the field was wide open for those who were skilled and interested, and Herb Feith was among the earliest.

‘Real solemn history, I cannot be interested in’, declared Jane Austen, and so too do a number of Australian publishers. It is a commonplace that historians do not know how to write, except to each other in ways that put other readers to sleep. The first advice to the author of any newly minted doctoral dissertation preparing a book proposal is to eliminate all reference to the thesis. The starting point in any of the non-fiction writing programs offered at universities is to purge their manuscript of academic diction. ‘Sadly’, Ann Curthoys and Ann McGrath begin their advice book on the subject, ‘historical writing has quite a bad reputation’.

‘I am really only an oppositionist, distrustful of power wherever I see it,’ wrote Jack Barry (1903–69) in 1951; and perhaps his oppositional instincts held him back from the heights of power to which he sometimes aspired. Instead, this biography argues, his impact was that of ‘a public intellectual before the term was invented’.

The Torch and the Sword began life as Craig Stockings’s PhD thesis, and shows its origins on every page. He presents a hypothesis and refers to it often as he proceeds systematically through a chronological and thematic exposition of his subject.