Hidden Author
Dear Madam,
I don’t usually believe in responding to reviews, but Kenneth Gelder’s review (ABR June 87) of The Illustrated Treasury of Australian Stories, which I edited, raises a few points which are worth a reply.
Gelder may have his fantasies of Adelaide as a city of ‘beautiful spaces’, greys and pinks, colour-coordinated, but I wish he would leave me out of them. I never lived in Ade ... (read more)
First prize: $6,000AUD
Four other shortlisted poets: $1,000AUD
Status: Entries closed on 3 October 2022
Judges: Sarah Holland-Batt, Des Cowley, and James Jiang
Entries have now closed for the nineteenth Peter Porter Poetry Prize, for which all poets writing in English are eligible. Entries were open from 11 July until 3 October 2022. This year the Porter Prize is worth a total of $10,00 ... (read more)
Three Companions
It is now thirteen years since OUP Australia published the second edition of The Oxford Companion to Australian Literature (nine years after ‘Whitlam, Edward Gough’ launched the first edition). Peter Pierce, generally welcomed OCAL2 in his ABR review (‘A bountiful companion’, December 1994– January 1995): ‘The Oxford Companion to Australian Literature may be a touch t ... (read more)
The Fortunes of HHR
Last month, in his critique of Bruce Beresford’s memoir (whose title is far too long to reproduce here), Peter Craven, in addition to expressing surprise at film producers’ unwillingness to finance Beresford’s proposed film of Henry Handel Richardson’s The Fortunes of Richard Mahony, deplored the fact that the great trilogy (1917–29) was out of print. Well, abracadab ... (read more)
Better off without him
Dear Editor,
James Griffin, in his effort to rehabilitate John Wren (ABR, June 2001), attacks me and other historians. Stuart Macintyre has replied strongly; and Manning Clark, the main target, is unfortunately dead.
My turn now. Griffin refers to a book by me and two co-authors, Doc Evatt (1994), and says that ten letters from Evatt to Wren were ‘made available’ for ... (read more)
James Griffin and John Wren
Dear Editor,
Some of your readers will be familiar with the problem. You set aside a few days to get to the National Library to pursue a research project. You obtain the manuscripts, order the material in the Petherick Room, and settle down to uninterrupted industry, when an avuncular bore with too much time on his hands buttonholes you and bangs on about his own proj ... (read more)
Why do you write?
It seems to be the only way I can make sense of things. I am often surprised that everybody doesn’t feel like this. It is such a profound thrill to work with fiction and to see the patterns emerge, to feel the rhythm of the story as it develops.
Are you a vivid dreamer?
There’s a thing that happens – I am asleep, but I seem to be awake watching a full colour dramatisatio ... (read more)
Dear Editor,
Caroline Lurie (ABR No. 131) cited four common criticisms of deconstruction. I think a more important reason is the danger deconstruction poses to the privileged position of the author as the source of one or multiple meanings for a text. It is significant to note that it is mostly the authors (both of narrative and critical discourses) who are so upset about deconstruction.
It is t ... (read more)
Dear Editor,
The Fat Author Replies to Robert Dessaix:
The author does not embody Iiterary classification nor does she base her work on literary theory though literary criticism does inform her literary practice.
The critical texts on multiculturalism do propose difference and have formed a valid and important part of dialogue in Australian literature.
Dessaix truly exploits the multicultural ... (read more)