‘Country’ – the land of Indigenous peoples (minus their Dreamings) – is the great subject of settler-colonial art, an act of appropriation in which the dispossession of its original custodians is rendered invisible. As Jarrod Hore establishes beyond doubt in Visions of Nature, it was landscape photographers who proved to be one of the more significant cultural agents of settler colonialism ... (read more)
Gary Werskey
Gary Werskey is a Harvard-trained biographer and cultural historian who has held academic positions at Edinburgh University, Imperial College, and the University of New South Wales. For the past decade, he has promoted the study of Australian history to a wider audience as a co-founder of the Blackheath History Forum. He is currently an Honorary Associate in the University of Sydney’s Department of History. His latest publication is Picturing a Nation: The art & life of A.H. Fullwood (NewSouth, 2021). He also co-curated with Natalie Wilson (Curator of Australian & Pacific Art at the Art Gallery of New South Wales) the National Library of Australia’s recent exhibition A Nation Imagined: The Artists of the Picturesque Atlas.
Writing this review of John F. Kennedy’s formative years soon after the end of the Trump regime has evoked some surprising parallels between these two one-term American presidents (and perennial womanisers). They were both second sons born into wealthy families dominated by powerful patriarchs. Against the odds, they emerged as their fathers’ favourites and were groomed for success. Thanks not ... (read more)