Anwen Crawford
Charley (Charlie Plummer), the vulnerable teenage protagonist of Lean On Pete, is always on the move. We first see him jogging at dawn, past suburban streets and out towards to the local racecourse. The morning light is benevolent; the camera keeps a smooth distance: all is promise and potential in Charley’s life, or should be...
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I began to lose count of the murders in You Were Never Really Here around the halfway mark. The film is only ninety minutes long, so quite a lot of carnage is crammed into it. Sometimes, the violence takes place just past the edge of the frame. Several gruesomely bloody scenes are ...
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BlacKkKlansman begins with Vivien Leigh as Scarlett O’Hara in Gone with the Wind (1939), picking her way through a mire of injured Confederate soldiers. Then it cuts to Alec Baldwin as a fictional mid-twentieth-century eugenicist spewing racist pejoratives and bilge about ...
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The sky is a wintry grey when Ronit (Rachel Weisz), a photographer, arrives in London, recalled to her hometown from New York by the death of her father, a local rabbi. The Orthodox Jewish community to which she returns dresses sombrely, in shades of black, and comports itself strictly. Dovid (Alessandro Nivola) ...
... (read more)We invited some writers, film critics, and film professionals to nominate their favourite film – not The Greatest Film Ever Sold, but one that matters to them personally.
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Andrey Zvyagintsev’s Loveless is a cold, despairing film, befitting its title. It opens and closes in the depths of winter, with wide, lingering shots of an ice-bound river; in between, it delivers a portrait of a marriage that has hardened into estrangement, with a child lost to the void that exists between his parents. No character ...
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Madnesses pile up in The Death of Stalin, too fast and too numerous to itemise. Victims of tyranny are snatched away in the dead of night, locked in basements, or pushed down staircases at Chaplinesque speed. The terms of engagement change halfway through a conversation: forbidden thoughts are now doctrine ...
... (read more)Sticky Fingers: The life and times of Jann Wenner and Rolling Stone magazine by Joe Hagan
Too often the suburbia on show in American movies feels like a suburbia that only exists in the movies; a fantasy land stocked with preposterously large, catalogue-neat houses populated by families that boast perfect complexions and expensive teeth. Not so in Lady Bird, set in Sacramento, California, where the glitz of Los Angeles and the fashionability of ...
One can pinpoint the moment at which The Killing of a Sacred Deer gets stuck, like a train between stations. It happens midway through the film, during a scene set in a hospital cafeteria, somewhere in Cincinnati. A greying, bearded cardiologist (Colin Farrell) sits opposite a teenage boy (Barry Keoghan) whose gormless, sweaty ...
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