Military History

Witnesses to War, an ambitious book, is part of a larger project by the C.E.W. Bean Foundation to commemorate the work of Australian war correspondents. Fay Anderson and Richard Trembath, setting out to document the performance of Australian war correspondents, have tackled complex material. They deal with an enormous cast of characters and various interwoven themes, including the struggle against military censorship, how journalists have observed their duty to neutral coverage (or not), and the changing technology of reporting war – from sending stories by carrier pigeon or steamship in World War I to today’s live telecasts by journalists direct from battlefields in Iraq and Afghanistan. The book fills an important gap. Until now, Phillip Knightley’s more general work, The First Casualty: The War Correspondent as Hero and Myth-Maker (1975, 2004), has served as the final authority in this field. Knightley is a patron of the Foundation and an important influence.

Michael McKernan states in his introduction to his short book on Gallipoli that he is dissatisfied with much writing on military history. He writes: ‘Military history is often presented as a thing of maps and statistics, a brutal narrative based on the deployments and motives of commanders with a score sheet of those who performed well and those who failed. In this book I have tried to go beyond that ... to show that somewhere for each life lost, there was long mourning and deep grief.'

The recent, sometimes heated, debate among policy experts and commentators about Australia’s Defence White Paper has helped give focus to a curious paradox: that for the last two decades or so, since the release of the Defence of Australia White Paper in 1987, there has been a profound disconnection between defence planning and procurement and the actual operations conducted by the Australian Defence Force (ADF). With its focus on major new spending commitments on submarines, frigates and the Joint Strike Fighter in the midst of ongoing operations in Afghanistan, Timor-Leste and the Solomon Islands – which require none of these big-ticket items but which have, at times, stretched the ADF’s deployable capacity – the present White Paper risks falling into the same trap.

This excellent new volume, a product of the Australian War Memorial’s major research project on the history of Australian peacekeeping, provides a stirring corrective to this enduring paradox. Peacekeeping, its editors argue and contributors demonstrate, is a distinctive military activity that requires special skills, resources and equipment. It is always complex, and sometimes highly dangerous.

Our fascination with Gallipoli is probably at a peak. Like other symbolic events, it rises, falls and rises again in public esteem and curiosity. In the last quarter of a century, beginning when Anzac Day was at a low ebb, books and documentaries about Gallipoli have flooded bookshops and television stations. This new book by Professor Robin Prior, a specialist Australian historian of World War I, argues that the flood tide has almost drowned us in myths. The subtitle of his book is ‘The End of the Myth’. It is doubtful whether one able historian can terminate the myths, but this is a brave attempt.

Andrew Bacevich is a former West Point graduate, a principled man on the conservative side of politics who considered it wrong for wealthy citizens to leave the fighting of America’s wars to the poor and disadvantaged. He had fought in Vietnam, and his son, a newly commissioned second lieutenant in the United States Army, had volunteered for duty in Iraq. Just before Bacevich Sr was to attend the Sydney Writers’ Festival in June 2007, he received word that his son had been killed in Iraq. He cancelled his engagement in Sydney, and sent a poignant letter explaining his absence. It is a great pity that he was unable to come. The book that Bacevich was due to speak about is one of the most trenchant accounts I have read about contemporary American military culture. It should give any thinking Australian pause about the growing influence of American doctrine, strategy, training, equipment and choice of weapons over the Australian Defence Force.

The Torch and the Sword began life as Craig Stockings’s PhD thesis, and shows its origins on every page. He presents a hypothesis and refers to it often as he proceeds systematically through a chronological and thematic exposition of his subject.