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Kerryn Goldsworthy

Kerryn Goldsworthy admires Margaret Atwood’s depth of intellect as revealed in MaddAddam, the concluding sequel to Oryx and Crake and The Year of the Flood.

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I have ludicrous erotic dreams about dreadfully inappropriate people. I also dream about crashing the car. I hope these two things are not connected.

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Kerryn Goldsworthy wins the Pascall Prize

Advances was delighted to learn that Kerryn Goldsworthy has won the 2013 Pascall Prize ‘Critic of the Year’. Dr Goldsworthy is a frequent contributor to, and former Editor of, ABR; she reviews Lionel Shriver’s new novel in this issue.

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The novel for which Lionel Shriver is best known, We Need to Talk about Kevin (2003), generated endless discussion across the spectrum of readers, from buzzing suburban home-based reading groups to the pages of the Guardian and the New York Times. Much of this discussion circled around the question of the first-person narrator and mother, Eva Khatchadourian, and her relationships with her uncomprehending husband and her psychopathic son.

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Writing first

Dear Editor,

Rock critic Robert Christgau once argued that ‘writing about music is writing first’. His edict puts paid to all those who have erroneously demanded that music reviewers must be musicians themselves or otherwise musically literate. If you can listen to and appreciate music, then you can write about it.

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‘We place on paper without hesitation a tissue of flatteries, to which in society we could not give utterance, for our lives, without either blushing or laughing outright,’ wrote Edgar Allan Poe in 1846. His title was ‘The Literati of New York City’; his topic was the discrepancy, as he saw it, between the critics’ private opinions of books and the polite reviews of them that appeared in print. Literary criticism in New York in the middle of the nineteenth century, Poe argued, was essentially corrupt: a matter of back-scratching, currying favour, and chasing after influence, power, and money.

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‘Too many vampires,’ wrote Patrick White. The year was 1980; the document was a letter to Shirley Hazzard; the subject was their friend and fellow novelist Elizabeth Harrower, who had published nothing but a handful of uncollected short stories since 1966. ‘Elizabeth keeps her principles,’ he wrote. ‘Whether she is also writing, I have given up asking in case I get the wrong answer. Too many vampires make too many demands on her …’

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Admirers of the first two volumes in Frank Moorhouse’s ‘Edith Trilogy’, Grand Days (1993) and Dark Palace (2000), will remember the gripping and heartbreaking scene at the end of Dark Palace in which Edith Campbell Berry, her British husband, Ambrose, and several of their senior colleagues are humiliatingly informed, in the cruellest possible way, that after two decades of hard work for the now-defunct League of Nations, their presence is neither required nor welcome in the ranks of the new United Nations.

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Adelaide by Kerryn Goldsworthy

by
October 2011, no. 335

This year is the 175th anniversary of European settlement in South Australia. The University of Adelaide presented a series of public lectures collectively called Turning Points in South Australian History. Bill Gammage gave the first and showed by an accretion of primary sources that, prior to white settlement in 1836, Aborigines kept a tidy landscape thanks to the controlled use of fire. First Adelaidians exclaimed that the landscape was close to an English garden. Henry Reynolds gave the second lecture, and made much of the political and social timing of the settlement, after the abolition of slavery in London and just before the Treaty of Waitangi in New Zealand. The idea of terra nullius was in its preliminary colonial tatters.

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In December 1982, publisher Richard Walsh commissioned a ‘life and times of Miles Franklin’ from historian Jill Roe. The book ‘has been a long time coming’, says Roe, ‘due to other commitments and responsibilities, and because of the extent of previously unexamined source material.’ That source material – letters, articles, unpublished manuscripts, journals – exists in quantities that can be inferred from Roe’s comment near the end of the book, where she is describing Franklin’s final illness: that ‘from 1 January 1909 to 1 January 1954, there is some kind of record of what Miles Franklin was doing on virtually every day of her life.’

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