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Kerryn Goldsworthy

Kerryn Goldsworthy

Kerryn Goldsworthy won the 2013 Pascall Prize for cultural criticism, and the 2017 Horne Prize for her essay ‘The Limit of the World’. A former Editor of ABR (1986–87), she is one of Australia’s most prolific and respected literary critics. Her publications include several anthologies, a critical study of Helen Garner, and her book Adelaide, which was shortlisted for a Victorian Premier’s Literary Award. In November 2012 she was named as the inaugural ABR Ian Potter Foundation Fellow. Her Fellowship article on reviewing, ‘Everyone’s a Critic’, appeared in the May 2013 issue of ABR.

Kerryn Goldsworthy reviews 'Underground' by Andrew McGahan

October 2006, no. 285 19 August 2020
Kerryn Goldsworthy reviews 'Underground' by Andrew McGahan
Several years ago, on two separate occasions, Drusilla Modjeska and David Marr called for Australian fiction writers to address directly the state of the country in its post-9/11 incarnation. ‘I have a simple plea to make,’ said Marr in the Redfern Town Hall in March 2003, delivering the annual Colin Simpson Lecture: ‘that writers start focusing on what is happening in this country, looking ... (read more)

Kerryn Goldsworthy reviews 'Grandmothers: Essays by 21st-century grandmothers' edited by Helen Elliott and 'A Lasting Conversation: Stories on ageing' edited by Dr Susan Ogle and Melanie Joosten

June–July 2020, no. 422 26 May 2020
Kerryn Goldsworthy reviews 'Grandmothers: Essays by 21st-century grandmothers' edited by Helen Elliott and 'A Lasting Conversation: Stories on ageing' edited by Dr Susan Ogle and Melanie Joosten
Grandmothers are not what they used to be, as Elizabeth Jolley once said of custard tarts. It’s a point made by several contributors to Helen Elliott’s lively and thoughtfully curated collection of essays on the subject, Grandmothers, and it partly explains why these two books are not as similar as you might expect. A Lasting Conversation: Stories on ageing – edited by Dr Susan Ogle and Mel ... (read more)

Kerryn Goldsworthy reviews 'Friends and Rivals: Four great Australian writers' by Brenda Niall

May 2020, no. 421 20 April 2020
Kerryn Goldsworthy reviews 'Friends and Rivals: Four great Australian writers' by Brenda Niall
Armed with more than half a century’s worth of knowledge, experience, the fermentation of ideas and approaches in literary history and criticism over that period, and her own formidable reputation as a scholar and teacher of Australian literature, Brenda Niall returns in her latest book to the territory of her earliest ones. In Seven Little Billabongs: The world of Ethel Turner and Mary Grant Br ... (read more)

Kerryn Goldsworthy reviews 'Blessed City' by Gwen Harwood

November 1990, no. 126 01 November 1990
Kerryn Goldsworthy reviews 'Blessed City' by Gwen Harwood
Gwen Foster met Lieutenant Thomas Riddell in Brisbane in 1942, when she was twenty­-two. ‘Tony’ Riddell, stationed in Brisbane, was sent to Darwin early in 1943; and between January and September of that year, Gwen Foster wrote him the eighty-nine letters that make up this book. It’s the chronicle of a year, of a city, of a family, of a friendship, of a war no one could see an end to, an ... (read more)

Kerryn Goldsworthy reviews 'Geography' by Sophie Cunningham

April 2004, no. 260 01 April 2004
Kerryn Goldsworthy reviews 'Geography' by Sophie Cunningham
The first book of fiction is a little sub-genre with a number of readily recognisable features. It’s loosely structured and tends to be episodic, without much of a plot. It’s at least partly about love and sex, preferably of an obsessive or otherwise significant kind. And it’s at least partly autobiographical. If it’s already a bad book, then these things do tend to make it worse, but if i ... (read more)

Kerryn Goldsworthy reviews 'Love Is Strong As Death' edited by Paul Kelly

March 2020, no. 419 24 January 2020
Kerryn Goldsworthy reviews 'Love Is Strong As Death' edited by Paul Kelly
The assertion that ‘love is strong as death’ comes from the Song of Solomon, a swooning paean to sexual love that those unfamiliar with the Old Testament might be startled to find there. Songwriter and musician Paul Kelly has included it in this hefty, eclectic, and beautifully produced anthology of poetry, which has ‘meaningful gift’ written all over it.  In a brisk but friendly and ... (read more)

Kerryn Goldsworthy reviews 'Damascus' by Christos Tsiolkas

January–February 2020, no. 418 16 December 2019
Kerryn Goldsworthy reviews 'Damascus' by Christos Tsiolkas
The man traditionally held to have written about half of the New Testament is variously known as Saul of Tarsus, Paul the Apostle, and St Paul. Initially an enthusiastic persecutor of the earliest Christians, he underwent a dramatic conversion shortly after the Crucifixion, and it is on this moment that his life, and Christos Tsiolkas’s new novel, both turn. Damascus covers the period 35–87 CE ... (read more)

'After the Academy' by Kerryn Goldsworthy

June–July 2002, no. 242 01 June 2002
‘... the reasons why anybody is an expatriate, or why another chooses to return home, are such personal ones that the question can only be answered in a personal way.’ Patrick White, 'The Prodigal Son'   At seven o’clock on the morning of 2 February 1999, I was due at the Memorial Hospital in North Adelaide to relieve my older sister at my mother’s bedside, where she had been all n ... (read more)

Kerryn Goldsworthy reviews 'Other People’s Words' by Hilary McPhee

May 2001, no. 230 01 May 2001
Kerryn Goldsworthy reviews 'Other People’s Words' by Hilary McPhee
‘The characters which survive,’ wrote Hilary McPhee at seventeen in the copy of Thomas Hardy’s The Return of the Native that she studied in her tiny matriculation class at Colac High in 1958, ‘are those who make some compromise with their surroundings.’ Twenty years later and five hundred miles away, I was given a book for my birthday. It was a hardback with a black-and-white photograph ... (read more)

Kerryn Goldsworthy reviews three books on Charmaine Clift

July 2001, no. 232 01 July 2001
‘AT NIGHT,’ wrote Charmian Clift one summer in the late 1950s on the Greek island of Hydra where she lived with her husband and children, where the harbour village had been invaded by summer tourists, where teams of local Greek matrons invaded the kitchen in relays to monitor the foreign woman’s housework and mothering techniques, where the water supply was rapidly drying up, where she and h ... (read more)