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India

Quite a few years ago, when the future was far more important than the days gone by and the past hadn’t acquired that elusively seductive voice to beckon me with the urgency that it does now, I tended to be rather flippant about the notions of ‘home’ and ‘homeland’. ‘Home’ simply meant where I was at any given time. To an extent such a shallow definition can be attributed to my early experiences of travel and the consequences of the constantly changing landscape which confronted a young backpacker who didn’t feel the necessity of a cultural anchor. I simply moved from one country to another, with the restless compulsion of the Wandering Jew, to satiate a curiosity sparked off by a trip to the exotic wilderness of the Khyber Pass when I was a child.

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A year before he ascended to the prime ministership of India in 1947, Jawaharlal Nehru proclaimed that his nation was ‘a cultural unity amidst diversity, a bundle of contradictions held together by strong but invisible threads’. Yet, in the seventy-five years since India’s independence, secularist tolerance of religious and cultural difference has been eroded by a rising tide of Hindu majoritarianism. In this week’s episode of The ABR Podcast, John Zubrzycki reads his commentary on India’s transformation under Narendra Modi’s leadership ...

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It takes genuine courage to attempt a synoptic history of India and considerable skill to abridge the story of more than five thousand years into a book of fewer than three hundred pages. For a start, the evidence we have for what occurred during the first forty centuries is scarce and uneven. Archaeologists have unearthed planned towns, figurines, seals, pots, and tools that attest to the existence of a sprawling and successful society flourishing in the Indus Valley from around 3300 BCE until 1300 BCE. But as John Zubrzycki explains in this clever book, we know little if anything about how this Harappan civilisation was ruled or organised, partly because its script has not been deciphered and partly because no buildings akin to palaces or temples have yet been found.

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On 15 August 2022, it will be seventy-five years since Jawaharlal Nehru declared that India’s ‘tryst with destiny’ had finally been ‘redeemed’. The rapturous crowds that gathered outside the Constituent Assembly in New Delhi on that sultry summer night cheered as loudspeakers relayed the words: ‘At the stroke of the midnight hour, when the world sleeps, India will awake to life and freedom.’

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In a recent interview, India’s foreign minister, Subrahmanyam Jaishankar, was asked whether his country was heading in what his interlocutor, the Lowy Institute’s Michael Fullilove, called ‘an illiberal direction’. Bristling, Jaishankar denied the charge. India is undergoing something quite different, he argued. It is experiencing a ‘very deep democratization’. This process might be hard for outsiders to understand, but it was positive, not problematic. After decades of rule by an English-speaking, Western-educated élite, the country was at last being governed by politicians who spoke and thought and behaved like ordinary Indians.

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Australian Sikhs delivering free meals to fellow citizens in need has been a heart-warming news story against a backdrop of doom and gloom this year as bushfires then the coronavirus laid waste to life as we know it. Public housing tenants in lockdown, international students stranded without support, and bush-dwellers who lost everything in the fires are among those who benefited from their kindness and competence.

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Almost before drawing breath, we meet two troupes of Indian magicians. One appears in the court of the Emperor Jahangir, early seventeenth-century Mughal ruler and aficionado of magic. In the first of twenty-eight tricks, this troupe of seven performers sprout trees from a cluster of plant pots before the emperor’s eyes ...

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The deadline for this review was 15 August, India’s Independence Day, freedom at midnight in 1947 for India and Pakistan (whose independence is celebrated on 14 August). The British euphemistically called it a ‘transfer of power’. The subsequent division was termed Partition, an anodyne definition of the act of severing ...

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For a book that began as a tweet, Shashi Tharoor’s Inglorious Empire: What the British did to India has had a remarkable journey, taking its best-selling author on a world tour, both to the centre of Empire in the United Kingdom, and its outpost in Australia. A career diplomat who retired as under-secretary general at the ...

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There is currently a very appealing trend in publishing with books about cities written by creative writers: fiction writers, novelists, and essayists. In Australia we have had the Cities Series from NewSouth Publishing: personal, writerly books that capture the spirit of our capital cities (and Alice Springs) and take us along pathways, with the idiosyncratic accompaniment of a local who is also a writer.

In recent years there have also been books of this type on Indian cities, including Mumbai and Delhi. This fascinating genre can carry along with it many different aspects of mythmaking; of history; of the daily movements and habits of the author. They aren’t travel guides, more like reflections on quotidian matters. Most of them necessarily also spin around an idea of what home is.

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