Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Sophie Cunningham

Geraldine Brooks has an extraordinary radar for a good story, a curiosity that has carried her, and her readers, from Year of Wonders (2001), set during England’s plague of 1666; to March andthe American Civil War; to medieval Spain and the People of the Book (2008).Her latest novel, Caleb’s Crossing, is set closer to the place Brooks calls home – in th ...

Meanjin, Vol. 69, No. 1 edited by Sophie Cunningham

by
April 2010, no 320

There is something to offend everyone in the latest issue of Meanjin. Several contributors boldly tackle religious questions – always plenty of kindling for the fire there. Jeff Sparrow takes on the so-called ‘New Atheists’, in the process throwing a few Marxist haymakers at Bush, Rudd and ‘the Israeli apartheid state’. The ‘religious undergirding’ of secular thought is considered by the Sydney academic John Potts, who finds that greenies, old-style lefties and post-structuralists are much closer to Messianic Christianity than they might think (along the way, he is snide about vegetarians, too). Elsewhere, Paul Mitchell contrasts the spiritual impulses at work in contemporary Australian fiction, though some of his assumptions are bound to get nonbelievers offside.

... (read more)

Geography by Sophie Cunningham

by
April 2004, no. 260

The first book of fiction is a little sub-genre with a number of readily recognisable features. It’s loosely structured and tends to be episodic, without much of a plot. It’s at least partly about love and sex, preferably of an obsessive or otherwise significant kind. And it’s at least partly autobiographical. If it’s already a bad book, then these things do tend to make it worse, but if it isn’t, then they don’t necessarily detract; it’s not a value judgement, just an observation.

... (read more)
Page 2 of 2