Who killed Sarah Compton? She was a ‘prying old busybody’, but surely that isn’t an adequate motive for murder? When her grisly corpse is found on the restroom floor of the Melbourne Telephone Exchange, there is no lack of suspects. Could Gerda MacIntyre, the girl with the ‘tragic eyes’, be capable of such a heinous crime? What is silly, pretty Gloria Patterson hiding? Is the attractive ... (read more)
Francesca Sasnaitis
Francesca Sasnaitis was recently awarded a PhD in Creative Writing from the University of Western Australia.
Moira McKinnon practised as a community doctor in Halls Creek, in the Kimberley, where her first novel Cicada is also set. She was joint winner of the 2011 Calibre Prize for her essay ‘Who Killed Matilda?’, the story of an Aboriginal woman whose audacity and traditional knowledge prompted McKinnon to question the efficacy of Western medicine and philosophy.
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‘There’s no time like NOW!’ proclaim the signs.
Inspired by the fond reminiscences of slow tram rides of several Melbourne personalities, whose brief anecdotes are interspersed between the pages of the sumptuous Melbourne Now catalogue (Melbourne Now Limited Edition, National Gallery of Victoria, $100 hb, 280 pp, 9780724103768), I am travelling into the exhibition by tram. Through the recta ... (read more)
Vanessa Russell grew up in a traditionalist Christian fellowship, the Christadelphians. She read the Bible from cover to cover every year, enjoyed a childhood filled with group activities, and only left when their oppressive restrictions caused her too much grief.
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Vanessa Russell grew up in a traditionalist Christian fellowship, the Christadelphians. She read the Bible from cover to cover every year, enjoyed a childhood filled with group activities, and only left when their oppressive restrictions caused her too much grief.
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At the age of fourteen, Brendan Costa, not Brian Castro, visits a fortune teller. The Witch predicts a fortunate life, though one afflicted by a lack of awareness that may lead to loss of control and possible disaster. Castro is warning the reader to pay attention or lose the plot.
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It is no secret that Lily Brett has mined her past and her family history in her fiction. Her parents, like those of her current alter ego, Lola Bensky, were survivors of the Łódź ghetto and Auschwitz concentration camp; Lola, like the author, was born in a displaced persons’ camp before her family emigrated to Australia. Lola, a chubby baby, was possibly the only plump person in a camp whose ... (read more)
‘Will the real Nicole Kidman please stand up?’ Many readers will remember that line from the television game show Tell the Truth, in which celebrities were required to guess which of three contestants was the ‘real’ person. Pam Cook tells us that our ‘search for veracity is doomed to failure’ because, in this case, the celebrity’s identity is a fragmentary and contradictory media con ... (read more)
Imagine the book as a repository of memories: to turn the pages is to remember. Fiction, in particular, encourages flipping back and forth through memory’s volume. An author’s life informs her fiction. Memories, personal and second-hand, play a pivotal role in the formation of narrative structures. In a début novel, it is not uncommon for the author to resort to childhood sources for inspirat ... (read more)
The making of a writer involves more than talent and ambition; perseverance and a thick skin are also prerequisites. The best that can be hoped for from a teaching institution is that potential writers are exposed to new ideas and encouraged to experiment with content and form. The results are seldom perfect, but at least they can prove interesting.
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