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Young Adult Fiction

Dystopian fiction has surged in popularity in recent years, with books like The Hunger Games (2008) among the many Young Adult titles being devoured by younger and adult readers alike. There is a danger that the sudden influx of a genre in the marketplace, and the eagerness of authors to get their books into the hands of keen readers, will lead to a drop in the quality of writing, or to more predictable plot lines. The Interrogation of Ashala Wolf sets itself apart. It is a bitingly clever dystopia, highly imaginative. Where other books fall flat, this one stands out as a startling contemporary example of the dystopian genre.

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Adolescent girls aged sixteen to seventeen are at the centre of these three Young Adult novels: girls whose heightened emotional states prompt supernatural events. Broken families, disconnection from parents, obsession, music, art, and death impel the protagonists to seek solace and healing in the metaphysical. For Shirley Marr (Black Dog Books, $18.95 pb, 272 pp, 9781742031903), it is the Chinese understanding of the ‘preloved’ and their resonance in the present that engenders the attractive ghost Logan. For Kirsty Eagar (Penguin, $19.95 pb, 314 pp, 9780143206552) it is the creative impulse, the painter’s obsession with ‘seeing’ beyond the surface of things, that evokes the dark landscape in which Abbie struggles for meaning. For Rosanne Hawke (University of Queensland Press, $19.95 pb, 252 pp, 9780702238826), it is profound grief following the death of the protagonist’s brother.

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The Shiny Guys, quite a departure from Doug MacLeod’s usually quite light-hearted work, is nonetheless a real success. This foray into the world of mental illness and treatment calls to mind, and even refers directly to, complex works such as The Castle and One Flew over the Cuckoo’s Nest. A book about fear, uncertainty, and suffering, it is rich in complexities but perfectly told for its young adult audience.

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A midnight birth on a Friday is the first suggestion that Barnaby Brocket is not an ordinary arrival. Seconds later, baby Barnaby slips through the doctor’s hands and floats towards the ceiling. For his parents, Eleanor and Alistair, life until this point has been satisfyingly normal, with ‘no time for people who were unusual or who made a show of themselves in public’. Barnaby’s airborne ways leave his family ashamed. Being different is the worst thing in the world.

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Cecily Lockwood’s heart ‘bounced like a trout’. An arresting simile on the first page of a novel is always a good sign, but will this piscatorial comparison mean anything to young readers? No matter, back to those footsteps climbing the dark stairs to twelve-year-old Cecily’s room, where she is quailing under the bed. She pictures her older brother Jeremy in the next room, his heart ‘flipping and diving’. Ah, so that’s what trouts do. Clever Sonya Hartnett.

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Any novel by Andrew McGahan is likely to be a surprise, if you know his previous work, but if you were to approach this book knowing nothing about the author, there would be little about it to disturb your expectations. The cover, with its heraldic design against a marine backdrop, immediately signals its genre, and the maps on the endpapers, showing McGahan’s imagined geography of a place called New Island, confirm that this is an old-fashioned boys’ adventure novel of the heroic seafaring type. A preamble, titled ‘Fair Warning’, neatly excuses McGahan from any pretensions to oceanographic accuracy: ‘The Great Ocean rose and fell with different waves then, and different creatures moved in its depths … The ocean Dow sailed should not be confused with the lesser seas of today.’

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Alaska by Sue Saliba & Clara in Washington by Penny Tangey

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December 2011–January 2012, no. 337

Since the publication of Frank Moorhouse’s The Americans, Baby (1972), Australian literature has maintained a tense awareness of its powerful neighbour’s cultural sway over younger generations. Even the ‘Oz as’ Young Adult titles (think of Tim Winton’s Lockie Leonard series) concede, by studious omission, the impact of American cultural hegemony on the teenage imagination in Australia.

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Cargo by Jessica Au

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November 2011, no. 336

Jessica Au’s first novel, Cargo, is an arresting look at what it means to be young.

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Beatrice May Ross (Bee) is a list-maker, an amateur detective, a taxidermy assistant, and a regular teenage girl. She falls in love, fights with her best friend, and hates her mother’s new boyfriend, like plenty of adolescents. But she does so while stitching together a dead koala and trying to solve the ever-developing mystery surrounding the death of her mentor.

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The birth of Tom Downs on the banks of the Murray River in South Australia tragically coincided with the death of his mother. His premature arrival – in the breech position – subsequently informs how his life is played out.

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