Young Adult Fiction

After several picture books and novels for early readers, Tasmanian author Julie Hunt moves into fiction for older readers with this lyrical fantasy adventure. Set in an imaginary world, but drawing on Gaelic and Anglo-Saxon folk-tale motifs, Song for a Scarlet Runner is a charming introduction to fantasy for young readers.

Alyssa Brugman’s Alex as Well makes us question why we read. Is it something we do to escape reality, or are we drawn to other realms that may contain deeply unsettling experiences very different from our own?

The second in the Ship Kings series has a cinematic feel and shares the first-rate quality of the first book. Set in a fantasy world where island folk live in unsettled peace under the ruling mariner class, it continues the tale of Dow Amber as he sets off on a sailing adventure aboard the battleship Chloe. He and the unusual scapegoat girl Ignella are the only outsiders aboard the Ship Kings’ vessel as it embarks on a voyage into the northern icy seas, seeking the lost son of the Sea Lord.

‘I don’t mind all the broken things – sometimes I shift a chair outside when I think the house is overflowing, or when I can’t get to the kitchen cupboard or something – it’s the people that bother me. My dad collects broken people too.’

The greatest hurts you can endure or inflict on another are often in connection with siblings. The expectation of intimacy and potential for damage is obviously amplified when dealing with twins. As the father of two-year-old twin boys, I read this book with some trepidation.

Lina is part witch, part royalty. Her existence is scorned by both the king and the powerful wizards that all but rule the bitter lands of the North. The story of her heady romance and tragic fate is the centrepiece for Alison Croggon’s latest fiction, a Gothic fantasy inspired by Wuthering Heights.

James Roy’s cover blurb suggests that ‘everyone has a story’. The awkward thing is that some are better than others. In his new book, young characters are linked by stories and poems that criss-cross an unnamed city. It acts as a companion piece to Roy’s successful Town (2007), which contained thirteen tales from regional New South Wales. In City, stories are told in first, second, and third person, in diverse settings ranging from sleazy nightclub strips to gleaming office blocks. It’s ambitious, but ends unevenly, with several stories unlikely to appeal to teenage readers.

The world’s last known Tasmanian tiger died in Hobart Zoo in 1936. Surviving film footage of the marsupial is brief. No sound recordings exist of a thylacine’s bark or cough. Its extinction is one of Australia’s most lamentable tales. Nowra’s sad, dark novel imagines how these carnivores could care for two children lost in the wilderness.

From the first sentence of Creepy & Maud, we know we are entering a volatile world. ‘My dad has trained our dog, Dobie Squires, to bite my mum,’ Creepy tells us. What follows is a vivid peek into suburban isolation and unease. Almost every character has an addiction or psychological disturbance, from alcoholism and untameable aggression to dyslexia and obsessive compulsions. This society is one where children prefer ‘being smacked to being touched’, intimacy is avoided, and voyeurism and exhibitionism emerge as the only ways to connect.

Friday Brown is Vikki Wakefield’s second Young Adult novel, following All I Ever Wanted (2011), and although the protagonists of both are essentially facing the same dilemma – how to escape what they consider to be their own unshakeable destinies – I found this one far more rewarding.