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Julianne Schultz

A new monarch succeeded the day I sat down to write this review about the idea of Australia. Prime Minister Albanese, in a blessedly unpoliticised speech about Elizabeth II’s death, was direct in announcing that he and the governor-general would be heading to London, ‘where we will meet the king’.

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Over the last few years Australia has undergone a nationalistic cultural renaissance. Just as manufacturers have discovered that the addition of the Advance Australia logo has added a healthy percentage to retail sales, so too the ‘manufacturers’ of popular culture have discovered a more receptive home market, which has helped them weather the recession better than other industries.

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Griffith Review 55: State of Hope edited by Julianne Schultz and Patrick Allington

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June-July 2017, no. 392

South Australia remains something of a national contradiction in terms, and this is brought out well in this richly diverse and varied collection of essays and stories. Shifting its focus away from Adelaide to many of South Australia’s older industrial and pre-industrial centres, including Whyalla, Port Augusta, the Riverland, and Clare, Griffith Review’s St ...

Griffith Review 41 edited by Julianne Schultz

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September 2013, no. 354

And so Griffith Review is ten. It’s a credit to the publishing smarts of founding editor Julianne Schultz that the journal is now a fixture on the cultural landscape, alongside the country’s older literary journals. Griffith is the vantage not of the outraged so much as the frustrated, a reliable forum for passionate criticisms aimed at the inadequacy of political discourse in contemporary Australia. This inadequacy is what Schultz calls the ‘shrill negative timidity and lack of ambition’ in the way political, economic, social, and environmental challenges are framed in public debate. For instance, in one of the liveliest pieces in this issue, Melissa Lucashenko rails against the stereotyping of our urban poor. She writes this as one herself now living in cheap housing in Logan City, Brisbane, one of Australia’s ten poorest urban areas. Quoting Orwell, she finds a kind of relief, being at last genuinely ‘down and out’. It gives her a more nuanced, compassionate perspective the desideratum of all Griffith contributors on debates around housing, drugs, and domestic violence.

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This year’s annual fiction edition of Griffith Review – a collection of six stories chosen by competition – is dedicated to reviving the novella. In the golden age of print, the novella was mostly considered a literary misfit, too long for magazines, too short to publish profitably in a single book. It is a fair assumption that with new infrastructure provided by digital technology the novella might at last reach its market. Some hypothesise that it might even become popular; a story that can be read in one sitting might stand a chance of squeezing into the daily gavage of online ‘content’. True to these ideas, each piece published in Griffith Review 38: The Novella Project is available for individual digital purchase.

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The decision to use Ned Kelly’s last words as the subtitle of Griffith Review 33 was most unwise. This well-worn line threatens to overshadow the journal’s contents, which are otherwise fresh and intelligent.

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'It’s in your hands, Julianne,’ proclaims an e-mail from Barack Obama. So opens the latest Griffith Review, which explores the many ways that, across the globe, individuals and groups are taking social, political and environmental matters into their own hands. Addressee aside, the Obama e-mail sent to editor Schultz in the final week of the US election campaign landed in the virtual hands of millions. But as Schultz notes, the Obama campaign saw ‘social networking’ on a massive scale, made millions feel involved and, she posits, saw a concomitant end to the ‘era of mass media politics’. Marian Arkin’s memoir picks up on campaign engagement, recalling her involvement with a large-scale community of volunteer lawyers working to protect the integrity of the US election process. Arkin’s article provides a useful guide to those who find the US electoral college system a mystery.

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Meanjin vol. 66, no. 2 edited by Ian Britain & Griffith Review 17 edited by Julianne Schultz

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October 2007, no. 295

They were once called literary magazines, or journals, though dailiness was never aimed for. Monthliness is popular now, or, in the case of Meanjin and Griffith Review, quarterliness. But what kind of currency do these two magazines aim for? ‘New writing in Australia’ proclaims the subtitle of Meanjin’s latest volume; along with the banner title ‘Globalisation and Postcolonial Culture’, and the subheading ‘Before and After’. ‘New Stories’ and ‘New Poems’ are also listed on the cover, along with a serious frontal portrait of novelist Amit Chaudhuri, on ‘The Fate of the Novel’. There’s quite a bit of semiotic activity going on here, not to mention marketing. Currency – newness, fingers on the pulse, predictive ability – is on the agenda.

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