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Frank Moorhouse

Grand Days by Frank Moorhouse

by
November 1993, no. 156

Grand Days is volume one of Frank Moorhouse’s Palais des Nations novels, and is connected to the author’s previous works Forty-Seventeen and The Electrical Experience by the characters of Edith Campbell Berry and George McDowell. The principal narrative of Grand Days goes on for 500 or so pages, and is followed by some thirty pages of notes and explanations which form another narrative. The most interesting narrative of all, to me, however, is the story of where this book fits into the life and work of Frank Moorhouse.

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Publishers are like invisible ink. Their imprint is in the mysterious appearance of books on shelves. This explains their obsession with crime novels.

To some authors they appear as good fairies, to others the Brothers Grimm. Publishers can be blamed for pages that fall out (Look ma, a self-exploding paperback!), for a book’s non-appearance at a country town called Ulmere. For appearing too early or too late for review. For a book being reviewed badly, and thus its non-appearance – in shops, newspapers and prized shortlistings.

As an author, it’s good therapy to blame someone and there’s nothing more cleansing than to blame a publisher. I know, because I’ve done it myself. A literary absolution feels good the whole day through.

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Reading Frank Moorhouse is a bit like learning to cook silver beet in some newfangled way and discovering that for years you’ve been chucking the best bits out.

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