Wendy Walker

Encompassing installation, sculpture, drawing, photography, and the moving image, Patricia Piccinini’s fifteen-year survey exhibition of sixty-five works at the Art Gallery of South Australia coincides with the period of her exploration of issues surrounding genetic modification/manipulation in the biotech era. Piccinini’s investigations are, as the exhibition’s title suggests, cautionary tales.

An appropriately elegant publication, Khai Liew is the eleventh in the Wakefield Press series of monographs on South Australian artists, which was initiated by the South Australian Living Artists Festival (SALA) and is assisted by Arts SA.