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Susan Gorgioski

When Miranda Ophelia Sinclair, ‘Moss’ to her friends, discovers a document featuring the name of her heretofore unknown father, she sets out to find him and to discover her genetic roots. Her complicated family history is gradually exposed when she finds her father, Finn, living as a near-recluse in a town called Opportunity. Finn’s next-door neighbour is Lily Pargetter: aged, lonely, haunted by memories and ghosts. Her nephew, Sandy, is a middle-aged man-child, ineffectual but harmless. This eccentric cast of characters could easily hold its own against Alexander McCall Smith’s creations; however, Evans sets her protagonists on a predictable and fairly scripted path, resulting in a message-driven narrative.

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Packaging and promotion have always been formidable tools in the marketplace. Once on a Road is poorly served by its sensational back cover blurb, ‘How far would you go to protect your grandchildren from their mother?’ No, this is not a new Stephen King novel, nor is it literary fiction, as its imprint would lead readers to believe.

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