Australian Fiction

One feels greatly conflicted while reading The Ottoman Motel. While Christopher Currie’s début novel certainly shows promise, it would have benefited from further editorial development prior to publication.

Something happened to the Australian suburban novel while Georgia Blain was trying her hand at memoir in Births Deaths Marriages (2008) and Young Adult fiction in Darkwater (2010). Put it down to The Slap juggernaut. The working family is now angry, high, horny, and mad about tattoos. Gone are the scenes of inarticulate loss at the kitchen ...

Elizabeth Stead’s fifth novel is set in 1948, when newly independent women, who kept the wheels of industry turning during World War II, were resuming full-time household duties. Stead, who married a naval officer in the 1950s, would have seen this domestic dynamic played out around her. The Sparrows of Edward Street tells the story of a family – a widow and her two teenage daughte ...

While the stories in The Kid on the Karaoke Stage vary thematically, they are predominantly realist in style, with plenty of seemingly serendipitous through-lines. Georgia Richter, who has edited the collection superbly, says that she was interested in ‘the way we turn to writing to crystallise moments of realisation’. The authors all have links to West ...