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David McCooey

Artful Histories represents that extraordinary achievement – a learned critical study, based on a thesis, which is exhilarating to read. While it covers the expected ground, with careful accounts of Australian autobiographies of various types, it also addresses a core problem of current literary debate – the relative status of different literary genres, and the interrelation between writing and life. There is no mention here of The Hand That Signed The Paper or The First Stone (they are beyond the range of the discussion) but McCooey’s elucidation of the relationship between autobiography, history, fiction, and life bears directly on the issues which have kept Australian readers arguing over the past year. At the end of his chapter on autobiography and fiction, McCooey summarises the difference in a seemingly simple statement: ‘Fictional characters die fictionally, people die in actual fact.’ The implications of this are far from simple, and McCooey argues for the maintenance of the boundary between genres on the grounds of moral responsibility.

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The presence of the Irish ambassador and the muscatel was accounted for by the first theme of the week, which was that of W.B. Yeats and his influence. It is not surprising that a great many Celtic accents could be heard off stage as well as on. Indeed, the previous night saw a private dinner held by the W.B. Yeats Society of W.A. (one of only four Yeats societies in the world) whose only club rule seemed to be that some of Yeats’s poems should be read and suitably appreciated.

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