In the art world, the question of who shapes public taste is a perennial favourite. Magazines like to rank the heavyweights. Last year’s ArtReview’s Power 100 included an assortment of global dealers and collectors; Ai Weiwei and Pussy Riot made it too. While such ladders of influence invariably include museum staff and art historians, it is clear that Jenny Holzer’s aphoristic ‘Truism’, ...
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