Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Geoffrey Blainey

The Australian War Memorial has become a kind of national cathedral. Those who visit Canberra for the first time feel that they must see it. It fascinates nationalists, those who are entranced by past wars, those who love displays of technology, relatives of the war dead, those attracted to family history, and the countless visitors who unknowingly seek heroes outside the sporting and theatrical arenas where money is king. There were said to be no cash registers at Gallipoli and Kokoda.

... (read more)

Any recent ‘big picture’ church history will suffer by comparison with Diarmaid MacCulloch’s A History of Christianity (2009). That book discovers all manner of new evidence about this protean religion and opens up questions about its life in every age and across every continent. Even its subtitle, The First Three Thousand Years, wants us to appreciate that Christianity has to be understood through its origins in the Hebrew and Greek cultures of the millennium before Bethlehem. Geoffrey Blainey’s history begins more conventionally with the birth of Jesus.

... (read more)

This bold book, with its lucid prose and vivid illustrations, will be discussed for years to come. It is not original in the narrow sense of the word, but it takes an important idea to new heights because of the author’s persistence and skill. Bill Gammage, an oldish and experienced historian of rural background ...

... (read more)

Australian war historians usually find their theme in the army. Mike Carlton, a well-known journalist, thinks it is time to praise the Australian warship Perth and its men: ‘They were the flower of Australia’s greatest generation. No other has been so tested.’

... (read more)

Our fascination with Gallipoli is probably at a peak. Like other symbolic events, it rises, falls and rises again in public esteem and curiosity. In the last quarter of a century, beginning when Anzac Day was at a low ebb, books and documentaries about Gallipoli have flooded bookshops and television stations. This new book by Professor Robin Prior, a specialist Australian historian of World War I, argues that the flood tide has almost drowned us in myths. The subtitle of his book is ‘The End of the Myth’. It is doubtful whether one able historian can terminate the myths, but this is a brave attempt.

... (read more)

This is the latest volume of a reference work which should sit on the shelves of every municipal library. It assesses the lives of people, mostly prominent, who died in the years 1981–90. It lists them in alphabetical order; a further volume will be needed to embrace the 600 or 700 people whose surnames began with the letters L to Z.

... (read more)

An earlier version of this history of Victoria first appeared in 1984 as Our Side of the Country. Though for the past sixteen years Sydney-born politicians Paul Keating and John Howard have usurped Victoria’s former almost constant ‘top position’ in Canberra, the possessive pride reflected in that early title still runs through this modern version ...

... (read more)

Australian football has lost its magic, a unique quality existing in the 1950s, and even as late as the 1970s. It derived from the fixed positions that players adopted and from their physical diversity. In their competing forms, they became metaphysical constructs – good versus evil, beauty versus ugliness, benign innocence versus malevolent experience – constructs limited only by the human imagination ...

... (read more)

The Rush that Never Ended by Geoffrey Blainey & The Fuss that Never Ended edited by Deborah Gare et al.

by
May 2003, no. 251

‘He looks a bit like Marty Feldman with two good eyes.’ So wrote a journalist of Geoffrey Blainey in 1977. In The Fuss That Never Ended, a collection of essays on Blainey arising out of a Melbourne symposium, Bridget Griffen-Foley no less irreverently compares the historian to a character played by Steven Seagal in a movie she saw on television – not because he shares Seagal’s ‘fake tan, ponytail, high-pitched voice, rippling muscles, kickboxing prowess or lurid, technicolour knee-length leather coat’, but because of his ‘style of investigation’ as a young historian. Blainey, she suggests, was neither bookworm nor archive rat. He went into the field, spoke to real people, visited historical sites. His work even helped his first employer, the Mount Lyell Mining and Railway Company, to exploit long-forgotten mineral deposits. Since producing his history of that company in his early twenties, he has been Australia’s leading mining historian, and one of that industry’s staunchest defenders. It has probably been easier for most people to swallow Blainey’s historical and economic arguments in favour of mining than Hugh Morgan’s biblical ones.

... (read more)

Donald Horne: critics and negotiators

The general idea of ‘public intellectual life’ is more useful than the particular idea of’ the public intellectual’. ‘Public intellectual life’ is a public manifestation of what I called in The Public Culture ‘the critics’ culture’ of a liberal-democratic state. (It is made possible by the belief in a questioning approach to exist­ence as a central force in society.) However only parts of this critical activity emerge into the public culture; it is these parts that might be thought of as its ‘public intellectual life’. They provide a kind of public acclimatisation society for new ideas. All kinds of people may play a part in working up these ideas down there in the subterranean passages of the critics’ culture and others may take over the business of negotiating them into the public sphere. Many of these ‘negotiators’ are paid public performers in the news and entertainment industries. However some of the ‘critics’ also have a capacity to barge in directly – but only if they have a desire to appeal to people’s imaginations, and the talent to do so. These are the ‘public intellectuals’. Some of them may be one-offs. Some become regulars. They become influential if they articulate ideas that are already in the minds of some of ‘the public’ anyway, if in a more diffuse state. They get nowhere if they don’t. Two of my books, The Lucky Country and Death of the Lucky Country, were prime examples of appealing to interests of which readers were already becoming aware.

... (read more)
Page 2 of 3