Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Don Anderson

Don Anderson is the author/editor of eight books, collections of essays and reviews, and anthologies of prose, largely of texts from the Americas, Australia, and Europe. For fourteen years in the 1980s and 1990s he was a regular literary columnist in the National Times and the Sydney Morning Herald. He was for thirty years a member of the English department at the University of Sydney, where he taught American, Irish, and Australian literature, and literary theory. He was for some years a member of the Advisory Panel of ABR.

Don Anderson reviews 'The Best Australian Essays 2001' edited by Peter Craven

June 2001, no. 231 01 June 2001
Don Anderson reviews 'The Best Australian Essays 2001' edited by Peter Craven
In the ‘Author’s Prologue’ to Book III of Gargantua and Pantagruel (trans. Urquhart, pub. 1693), Rabelais considers the plight of the philosopher Diogenes the Cynic at the siege of Corinth, who, prevented from action in the battle by dint of his occupation, retired towards a little hill or promontory, took his famous tub and ‘in great vehemency of spirit, did he turn it, veer it, wheel it, ... (read more)

Don Anderson reviews 'Postmodernism and Popular Culture: A cultural history' by John Docker

December 1994, no. 167 01 December 1994
Don Anderson reviews 'Postmodernism and Popular Culture: A cultural history' by John Docker
Where are the studies, the seminars, the books on John Laws, one of the greatest phenomena of popular culture in Australia for more than twenty years? Michael Duffy, The Independent Monthly November 1994 They fall through your letter box thick as autumnal leaves that straw the brooks in Vallombrosa, as fast and furious as knickers fall in ‘Melrose Place’ or reputations in ‘Models Inc. ... (read more)

Don Anderson reviews 'The Silence: A novel' by Don DeLillo

December 2020, no. 427 25 November 2020
Don Anderson reviews 'The Silence: A novel' by Don DeLillo
‘Literary talent,’ writes Martin Amis in his new ‘novel’, Inside Story, ‘has perhaps four or five ways of dying. Most writers simply become watery and subtly stale.’ Not so the eighty-three-year-old Don DeLillo, who has published seventeen novels over the last fifty years, all of them muscular, intelligent, prescient. In 1988, he told an interviewer from Rolling Stone, ‘I think ficti ... (read more)

Don Anderson reviews 'A Room Made of Leaves' by Kate Grenville

September 2020, no. 424 24 August 2020
Don Anderson reviews 'A Room Made of Leaves' by Kate Grenville
Kate Grenville’s new novel, her first in almost a decade, is dedicated to ‘all those whose stories have been silenced’, for which, as its ‘memoirist’–narrator heroine is Elizabeth Macarthur, we might read ‘women’. Did she – wife of the notorious John Macarthur, wool baron in early Sydney – write what Grenville’s publishers call ‘a shockingly frank secret memoir’? In her ... (read more)

Don Anderson reviews 'The Fable of All Our Lives' by Peter Kocan

October 2010, no. 325 01 October 2010
Don Anderson reviews 'The Fable of All Our Lives' by Peter Kocan
In or about that annus mirabilis 1968, Philip Roberts – academic, musician, poet and founder in 1970 of the poetry imprint Island Press – delivered a conference paper entitled ‘Physician Heal Thyself’, which considered eminent poets who had also been medical practitioners. (Roberts had gone from Canada to Oxford as a Rhodes Scholar to study medicine, but in a Pauline moment switched to Art ... (read more)

Don Anderson reviews 'The Body in the Clouds' by Ashley Hay

September 2010, no. 324 01 September 2010
Don Anderson reviews 'The Body in the Clouds' by Ashley Hay
The Body in the Clouds, Ashley Hay’s scintillating and accomplished first novel, is in fact her fifth book, its predecessors all being non-fiction. There was the Lord Byron book, The Secret: The Strange Marriage of Annabella Milbanke and Lord Byron (2000), Gum: The story of eucalypts and their champions (2002), Herbarium (2004) and Museum: The Macleays, their collections and the search for order ... (read more)

Don Anderson reviews 'A Christina Stead Reader' selected by Jean B. Read

July 1982, no. 42 01 July 1982
Don Anderson reviews 'A Christina Stead Reader' selected by Jean B. Read
From August 1978 through January 1979 I read the complete fiction of Christina Stead, as well as those of her critical writings I could locate. A writing career of more than forty years consumed by a voracious reader in six months! I trust that I was as scrupulous and sympathetic a reader as Christina Stead is an ethically and technically scrupulous, sympathetic novelist. I read this commanding b ... (read more)

Don Anderson reviews 'Sorry for Your Trouble' by Richard Ford

August 2020, no. 423 24 July 2020
Don Anderson reviews 'Sorry for Your Trouble' by Richard Ford
Richard Ford, born in 1944, is a North American novelist, short story writer, and anthologist of considerable distinction. His recurring character Frank Bascombe – The Sportswriter (1986), Independence Day (1995), The Lay of the Land (2006), Let Me Be Frank with You (2014) – is a commanding figure of American letters to rank with John Updike’s Rabbit Angstrom, each a protagonist used by his ... (read more)

Don Anderson reviews 'Expressway' edited by Helen Daniel

August 1989, no. 113 01 August 1989
Don Anderson reviews 'Expressway' edited by Helen Daniel
Prelude From this I shall evolve a man.This is his essence: the old fantoche Hanging his shawl upon the wind,Like something on the stage, puffed out, His strutting studied through the centuries.At last, in spite of his manner, his eye A-cock at the cross-piece on a poleSupporting heavy cables, slung Through Oxidia, banal suburb …Professor Eucalyptus responds to the host. If the proof o ... (read more)

Don Anderson reviews 'Before I Wake' by John Scott

July 1996, no. 182 01 July 1996
Don Anderson reviews 'Before I Wake' by John Scott
As for this letter you describe – so explicit, so extreme, that at the moment of its first description the reader might ejaculate across its pages-is it not the condition to which all writing has aspired? Demanding that admission of desire (no matter how unlikely, how unspeakable), an honesty, so absolute it would produce a masterpiece. John A. Scott, What I Have Written   A masculin ... (read more)
Page 2 of 4