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The Monash University team at the Queen Victoria Hospital in Melbourne has achieved great success in its endeavours to relieve infertility by the production of ‘test-tube babies’. This collection explains what goes on, discusses moral and legal problems relating to the programme, and gives a preview of what might lie ahead. The contributors include members of the medical team, their clients, and moral philosophers and theologians.

This book is concerned essentially with the impact of the environment upon Europeans in Australia. It sets out to test C.E.W. Bean’s thesis that during the Great War the most effective Australian soldiers came from the bush. It does this in relation to men from Western Australia, arguing that the West was one of the most predominantly bush areas of Australia, and therefore that there, if anywhere, the influence of the bush should show up in the achievements of soldiers.

One heady day in the mid I920s, sculptor and Lindsayite recruit Guy Lynch (brother of the elegaic subject of Slessor’s ‘Five Bells’), held forth in a pub at Circular Quay on his plan for Sydney to become an Hellenic city. The Quay itself he saw as a magnificent ampitheatre for the incarnation of the Lindsay group’s Nietzschean dream of Dionysian joy, as revealed in the vital art affirmed as the salvation from the twin vices of bourgeois philistinism and modernistic decadence, the canon that ran from Shakespeare, Rubens and Beethoven, to Norman Lindsay and Hugh McCrae. He-men would lean against pillars, girls would stroll about, and grand opera would be played amongst forests of statues.

Macmillan’s Albert Tucker is a pioneering venture. It is not just another well-arranged, well-printed collection of paintings by a notable painter, it is an endeavour to present the whole conspectus of a painter’s work and mind.

A joke told annually and publicly for fourteen years closes this collection of Ian Turner’s work. From 1965 to 1978, Turner delivered the Ron Barassi Memorial Lecture and so created the site of an imagined overlap between the more formal rituals of the intellectual culture and the rowdy world of spectatordom, the VFL, the most visible and familiar self-presentation of the popular. He fabricated this site for speaking ‘our’ culture by romping around it in careful pastiche.

The letters which form the body of this book are well edited and displayed, the biographical notes, although from necessity they are usually brief, are valuable – in these ways Decie Denholm has been a keen and careful editor. More about the letters later.

The major problem with this approach to history, as Fitzgerald treads it, is that he takes the preoccupations and perspectives of the twentieth century Sunshine State and implants them in a colonial Queensland context. This achieved, Fitzgerald can point to the continuities of Queensland history. I am reminded of my dog, who buries his bones and considers himself smart when he succeeds in digging them up.

At a time when one is reading of Cabinet decisions to cut many of the remaining constitutional links with Britain (Premiers’ Conference, June), thus moving Australia closer to national sovereignty, it is timely to be reminded of events only just over the contemporary horizon which could be said to have matured this nation into quickening the pace towards that independence of British dominion – no matter how tenuous politically, yet still incipiently present in the Statute Books and by Privy Council.