Accessibility Tools

  • Content scaling 100%
  • Font size 100%
  • Line height 100%
  • Letter spacing 100%

Australian Poetry

Kevin Brophy’s latest book is a record of the year he spent living in the remote Aboriginal community of Mulan. The community is home to predominantly Walmajarri people, and is on the edge of the Great Sandy Desert, sixteen hours’ drive from Broome. He was given a decomposing house to ...

... (read more)

The appearance of a New and Selected Poems by a widely loved and admired poet has all the pleasures of a major retrospective, but viewed alone, without the clamour of a gallery event. It’s in the nature of retrospective to raise the banner of analysis-as-public-spectacle. What does this art mean ...

... (read more)

Jennifer Maiden’s first books, Tactics (1974) and The Problem of Evil (1975), introduced a fantastically complex and enquiring poetry, with strangely fragmentary assemblages of character wrought from conflict. Both books were partly inspired by television’s gory nightly footage of the Vietnam War ...

... (read more)

A few pages into this collection we read the line: ‘all of it is lies’. ‘It’ signals the irritation that motivates much of Pam Brown’s writing in click here for what we do. Memory, in these poems, is a problem. Brown’s is very much a poetry of movement: she desires to stay light and mobile, not to be detained by memory ...

... (read more)

Hard Horizons by Geoff Page & The Left Hand Mirror by Ron Pretty

by
June-July 2018, no. 402

I have no idea if Pitt Street Poetry is located in Pitt Street, in the centre of Sydney’s CBD, but it has certainly made itself central to poetry publishing in Australia. Its list includes such fine poets as Eileen Chong, John Foulcher, Jean Kent, and Anthony Lawrence; that reputation will be added to by these books from Geoff Page ...

... (read more)

There is a shimmering, ludic intelligence to this collection of poems, Philip Mead’s first since 1984. The word ‘comeback’ is apt, with its grace note of gladness for renewed possibilities. Opening any new work, the anticipation is acute: will I be changed by reading this, and if so, how? What might I think, feel, or recognise ...

... (read more)

Archipelago by Adam Aitken & Present by Elizabeth Allen

by
May 2018, no. 401

Both Adam Aitken’s Archipelago and Elizabeth Allen’s Present examine the establishment and mutability of identity in the worlds of objects, histories, literature, and media in which they place their speakers. Of course, the exploration of identity is a common theme of poetry, particularly as it pertains to how the material of language ...

... (read more)

Domestic Interior by Fiona Wright & The Tiny Museums by Carolyn Abbs

by
May 2018, no. 401

The classic lyric preoccupation with interiority, and how internal life touches and changes the outside world, finds expression in two recent collections of poetry: Fiona Wright’s ...

... (read more)

ending on a line by John Burnside

No one on the boats, just cats – thin, furtive.
There’s the blown cry of terns and the wheedling
embarkations of crows, but you will not slip

... (read more)

1.
‘My new persona helped me to make money,’ says the streamer,
but cruel and petty, unhoped for ideal like a hovercraft shimmers
behind a definition of a chair ...

... (read more)