Michel Franco’s Sundown opens with a close-up of fish slowly suffocating on a boat deck, the first of many enigmatic interjections that punctuate the film. We begin with a family vacation in Acapulco. The Bennetts, an apparently typical nuclear family, swim, sip margaritas, and joke around on the terrace of their luxury resort suite. They attend a cliff-diving contest at the iconic La Queb ... (read more)
Felicity Chaplin
Felicity Chaplin teaches in the European Languages program at Monash University. She is the author of two books, Charlotte Gainsbourg: transnational and transmedia stardom (Manchester University Press, 2020) and La Parisienne in cinema: between art and life (Manchester University Press, 2017), and is a contributor to the forthcoming edited collection Refocus: The films of François Ozon (Edinburgh University Press, 2021). Felicity has written extensively on cinema, stardom, celebrity, fashion, French female identity, and cultural histories of Paris. Her work appears in Australian Book Review, Australian Journal of French Studies, Celebrity Studies, Metro, Screening the Past, and Senses of Cinema.
Xavier Giannoli calls Lost Illusions less an adaptation of Honoré de Balzac’s three-volume novel (1837–43) than a transfiguration, comparing it in form to Max Richter’s celebrated reworking of Vivaldi’s Four Seasons. Richter’s ‘Spring’ appears in the film, and a famous quote from Oscar Wilde finds its way into the dialogue, signalling Giannoli’s intention to remake the novel in a ... (read more)
When a father asks his daughter to help end his life, is it out of love or perversity? In Everything Went Fine, it is both. François Ozon’s films typically belong to the French tradition of intimiste cinema, melodramas centred on the bourgeois patriarchal family. Everything Went Fine (Tout c’est bien passé, 2021), Ozon’s twentieth feature film, is no exception. This preference for melodram ... (read more)
Devotees of Wes Anderson know what to expect, and they certainly get it in spades in The French Dispatch. Those who sensed that the American director lost his way with The Grand Budapest Hotel (2014), may feel he has strayed even further from the simplicity of the works that made him famous, such as the understated Bottle Rocket (1996), the quirky and endearing Rushmore (1998), and that masterpiec ... (read more)
Stanley Kubrick’s Napoleon is perhaps the best-known film never made. But what about others that never happened? What might a closer look at these reveal about the state of filmmaking? Such unmade films constitute the ‘dark matter’ of British director Michael Winterbottom’s book Dark Matter: Independent filmmaking in the 21st century. The invisible dark matter of the cosmos shapes our univ ... (read more)
Given that the NGV has postponed Melbourne Winter Masterpieces 2020: Pierre Bonnard until 2023 due to the pandemic, and that international borders will remain closed for the foreseeable future, it is a relief that this major exhibition has gone ahead, notwithstanding a month-long delay because of the latest lockdown. We are indeed fortunate to see Impressionist works from a renowned international ... (read more)
In recent years, Hollywood has been forced to take a long hard look at itself. Since Alyssa Milano popularised the hashtag #MeToo in 2017, and the Time’s Up movement was launched in 2018, women in the film industry have been sharing their stories of sexism, discrimination, sexual harassment, and sexual assault. Film critic Helen O’Hara’s Women vs Hollywood is not the first attempt at a revis ... (read more)
The Alliance Française French Film Festival is on again. After a stop-start 2020 with the Festival twice interrupted by lockdowns and then cancelled altogether, it is good to be back in the cinema (masks ‘strongly recommended but not compulsory’). This year the festival has a new artistic director, Karine Mauris, and there is a diverse range of films from France and the Francophonie.
Summer ... (read more)
For much of his working life, Hirokazu Kore-eda has been preoccupied with the question of what makes a family a family. Following on from the critically acclaimed Shoplifters (2018), which received the Palme d’Or at Cannes, The Truth continues to explore the idea of family, the roles we assume, the parts we play, and, above all, the lies we tell. It also interrogates our attachment to the i ... (read more)
The fashion documentary is a subgenre of a larger wave of films about fashion that have proliferated in recent years, including biopics such as Coco Before Chanel (Anne Fontaine, 2009) and Saint Laurent (Bertrand Bonello, 2014), documentaries such as Lagerfeld Confidential (Rodolphe Marconi, 2007) and The September Issue (R.J. Cutler, 2009), and, in a similar vein, the 2018 Netflix true crime seri ... (read more)